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#5b5851

Ranked by perceptual distance

Works near #5b5851

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 5.7 · close

    86% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 3.3 · very close

    57% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 4.2 · very close

    57% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 4.5 · very close

    57% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 4.7 · very close

    58% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 5.1 · close

    53% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 3.0 · very close

    42% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 4.1 · very close

    46% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 1.0 · near-exact

    30% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 6.1 · close

    54% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 14.2 · loosely related

    91% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 5.1 · close

    44% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 4.2 · very close

    39% of canvas

  • King Henry of France and Saint Bernard of Clairvaux by Johann Christoph Lischka, n.d.

    King Henry of France and Saint Bernard of Clairvaux

    Johann Christoph Lischka

    ΔE 0.9 · near-exact

    22% of canvas

  • Double-Chambered Strap Vessel with Sculpted Bird Head by Chimú, 1200–1450

    Double-Chambered Strap Vessel with Sculpted Bird Head

    Chimú

    ΔE 3.1 · very close

    30% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 6.8 · close

    48% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 3.7 · very close

    33% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 10.4 · close

    66% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 4.4 · very close

    35% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 2.4 · very close

    25% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.0 · very close

    38% of canvas

  • Judith with the Head of Holofernes by Girolamo Mocetto, n.d.

    Judith with the Head of Holofernes

    Girolamo Mocetto

    ΔE 2.2 · very close

    23% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 3.6 · very close

    30% of canvas

  • On Stage III by Hilaire Germain Edgar Degas, 1876–77

    On Stage III

    Hilaire Germain Edgar Degas

    ΔE 0.8 · near-exact

    16% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 8.6 · close

    54% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.4 · very close

    28% of canvas

  • Alpine Club by Louis Oscar Roty, c. 1880/92

    Alpine Club

    Louis Oscar Roty

    ΔE 2.7 · very close

    24% of canvas

  • Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects by Chimú, 1200–1450

    Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects

    Chimú

    ΔE 2.2 · very close

    22% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 7.1 · close

    45% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 9.4 · close

    56% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 4.6 · very close

    32% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 4.6 · very close

    32% of canvas

  • The Adoration of the Shepherds by Master H.E., c. 1520

    The Adoration of the Shepherds

    Master H.E.

    ΔE 1.5 · near-exact

    17% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 5.5 · close

    36% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 5.7 · close

    37% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 12.3 · loosely related

    70% of canvas

  • Summer Evening by David Lucas, 1831

    Summer Evening

    David Lucas

    ΔE 2.5 · very close

    21% of canvas

  • Tunic by Nasca, 800-900

    Tunic

    Nasca

    ΔE 4.2 · very close

    29% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 9.2 · close

    54% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 10.6 · close

    61% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 3.8 · very close

    27% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 2.6 · very close

    20% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 4.2 · very close

    28% of canvas

  • Portrait Head of a Youth by Ancient Roman, 14-68, reworked by the late 4th-early 5th century

    Portrait Head of a Youth

    Ancient Roman

    ΔE 2.1 · very close

    17% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 4.3 · very close

    28% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 4.4 · very close

    28% of canvas

  • Panel by France or Italy, c. 1860/1890 (based on a 1720s lace pattern)

    Panel

    France or Italy

    ΔE 3.3 · very close

    22% of canvas

  • Panel by Spain, Late 16th century

    Panel

    Spain

    ΔE 4.0 · very close

    25% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 4.1 · very close

    26% of canvas

  • The Children's Bath by Israhel van Meckenem, the younger, 1480/90

    The Children's Bath

    Israhel van Meckenem, the younger

    ΔE 2.6 · very close

    18% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 3.9 · very close

    25% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 3.7 · very close

    23% of canvas

  • Two Borders by Belgium or France, 1870s

    Two Borders

    Belgium or France

    ΔE 3.6 · very close

    23% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 3.9 · very close

    24% of canvas

  • The Reed Offered to Christ by Anthony van Dyck, 1630/40

    The Reed Offered to Christ

    Anthony van Dyck

    ΔE 3.1 · very close

    20% of canvas

  • Double Portrait by Daniel Neuberger, 1640/60

    Double Portrait

    Daniel Neuberger

    ΔE 5.0 · close

    29% of canvas

  • The Sixth Knot by Albrecht Dürer, c. 1507

    The Sixth Knot

    Albrecht Dürer

    ΔE 4.4 · very close

    26% of canvas

  • The Second Knot by Albrecht Dürer, c. 1507

    The Second Knot

    Albrecht Dürer

    ΔE 3.9 · very close

    24% of canvas

  • Panel (Furnishing Fabric) by France, 19th century

    Panel (Furnishing Fabric)

    France

    ΔE 3.6 · very close

    22% of canvas

  • The Fifth Knot by Albrecht Dürer, c. 1507

    The Fifth Knot

    Albrecht Dürer

    ΔE 3.8 · very close

    23% of canvas

What ΔE means, and what this does not measure