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#5d5e58

Ranked by perceptual distance

Works near #5d5e58

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 6.9 · close

    86% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 3.1 · very close

    58% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 4.2 · very close

    53% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 4.8 · very close

    54% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 12.3 · loosely related

    91% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 6.0 · close

    57% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 4.5 · very close

    46% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 6.9 · close

    57% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 6.9 · close

    57% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 10.2 · close

    70% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 4.8 · very close

    42% of canvas

  • Panel by France or Italy, c. 1860/1890 (based on a 1720s lace pattern)

    Panel

    France or Italy

    ΔE 0.9 · near-exact

    22% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 4.1 · very close

    36% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 2.3 · very close

    25% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 3.6 · very close

    30% of canvas

  • Double-Chambered Strap Vessel with Sculpted Bird Head by Chimú, 1200–1450

    Double-Chambered Strap Vessel with Sculpted Bird Head

    Chimú

    ΔE 3.8 · very close

    30% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 5.7 · close

    39% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 4.5 · very close

    33% of canvas

  • King Henry of France and Saint Bernard of Clairvaux by Johann Christoph Lischka, n.d.

    King Henry of France and Saint Bernard of Clairvaux

    Johann Christoph Lischka

    ΔE 2.5 · very close

    22% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 5.1 · close

    35% of canvas

  • Waistcoat by England, 18th century

    Waistcoat

    England

    ΔE 3.7 · very close

    28% of canvas

  • Border by France, 1775/1825

    Border

    France

    ΔE 1.9 · near-exact

    19% of canvas

  • Presentation of Christ by Lorenzo di Ottavio Costa, c. 1502

    Presentation of Christ

    Lorenzo di Ottavio Costa

    ΔE 2.4 · very close

    21% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.8 · very close

    28% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 7.1 · close

    44% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 8.6 · close

    52% of canvas

  • Flounce by Belgium, 1875/1900

    Flounce

    Belgium

    ΔE 4.6 · very close

    31% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 9.3 · close

    54% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 8.1 · close

    48% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 3.0 · very close

    22% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 0.4 · near-exact

    9% of canvas

  • Flounce by Belgium, Brussels, 1860s/90s

    Flounce

    Belgium, Brussels

    ΔE 3.3 · very close

    24% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 3.3 · very close

    23% of canvas

  • Tunic by Nasca, 800-900

    Tunic

    Nasca

    ΔE 4.6 · very close

    29% of canvas

  • Panel (Furnishing Fabric) by France, 19th century

    Panel (Furnishing Fabric)

    France

    ΔE 3.3 · very close

    22% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 8.1 · close

    46% of canvas

  • Alpine Club by Louis Oscar Roty, c. 1880/92

    Alpine Club

    Louis Oscar Roty

    ΔE 2.9 · very close

    20% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.0 · very close

    20% of canvas

  • The Third Knot by Albrecht Dürer, c. 1507

    The Third Knot

    Albrecht Dürer

    ΔE 6.7 · close

    38% of canvas

  • Commemorating Ferdinand Dutert, Architect by Jules Clément Chaplain, c. 1880/92

    Commemorating Ferdinand Dutert, Architect

    Jules Clément Chaplain

    ΔE 4.1 · very close

    25% of canvas

  • Dish by China, c. 1765

    Dish

    China

    ΔE 4.5 · very close

    27% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 4.6 · very close

    28% of canvas

  • The Second Knot by Albrecht Dürer, c. 1507

    The Second Knot

    Albrecht Dürer

    ΔE 3.8 · very close

    24% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 4.7 · very close

    28% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 5.6 · close

    32% of canvas

  • Weymouth, Shetland, and Orkney by Charles George Lewis, 1874

    Weymouth, Shetland, and Orkney

    Charles George Lewis

    ΔE 9.9 · close

    54% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 4.3 · very close

    26% of canvas

  • Kantharos (Wine Cup) by Ancient Greek, 310-280 BCE

    Kantharos (Wine Cup)

    Ancient Greek

    ΔE 3.8 · very close

    23% of canvas

  • The Sixth Knot by Albrecht Dürer, c. 1507

    The Sixth Knot

    Albrecht Dürer

    ΔE 4.4 · very close

    26% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 5.6 · close

    32% of canvas

  • Panel by Spain, Late 16th century

    Panel

    Spain

    ΔE 4.4 · very close

    25% of canvas

  • Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects by Chimú, 1200–1450

    Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects

    Chimú

    ΔE 3.7 · very close

    22% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 3.9 · very close

    23% of canvas

  • Portrait of Jacques Nicolas Colbert, Archbishop of Rouen by Pierre Drevet, c.1699

    Portrait of Jacques Nicolas Colbert, Archbishop of Rouen

    Pierre Drevet

    ΔE 3.3 · very close

    20% of canvas

  • The Fifth Knot by Albrecht Dürer, c. 1507

    The Fifth Knot

    Albrecht Dürer

    ΔE 4.0 · very close

    23% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 8.5 · close

    45% of canvas

  • Panel by France, 1732/34

    Panel

    France

    ΔE 3.9 · very close

    22% of canvas

  • Flounce by Italy, Venice, 1675/1700

    Flounce

    Italy, Venice

    ΔE 2.8 · very close

    16% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 5.2 · close

    28% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 5.6 · close

    30% of canvas

What ΔE means, and what this does not measure