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#5f5a52

Ranked by perceptual distance

Works near #5f5a52

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 6.8 · close

    86% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 3.9 · very close

    57% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 4.7 · very close

    57% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 5.3 · close

    58% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 5.2 · close

    57% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 6.1 · close

    53% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 13.6 · loosely related

    91% of canvas

  • Bowl with Textured Surface Decoration in Basketry-Like Pattern by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration in Basketry-Like Pattern

    Ancestral Pueblo

    ΔE 3.9 · very close

    42% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 5.0 · very close

    46% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 1.8 · near-exact

    30% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 6.9 · close

    54% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.1 · very close

    38% of canvas

  • Double-Chambered Strap Vessel with Sculpted Bird Head by Chimú, 1200–1450

    Double-Chambered Strap Vessel with Sculpted Bird Head

    Chimú

    ΔE 2.9 · very close

    30% of canvas

  • King Henry of France and Saint Bernard of Clairvaux by Johann Christoph Lischka, n.d.

    King Henry of France and Saint Bernard of Clairvaux

    Johann Christoph Lischka

    ΔE 1.5 · near-exact

    22% of canvas

  • Villa Pamphili outside Porta S. Pancrazio, from Views of Rome by Giovanni Battista Piranesi, 1776, published 1800–07

    Villa Pamphili outside Porta S. Pancrazio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 2.4 · very close

    27% of canvas

  • Bowl with Textured Surface Decoration by Ancestral Pueblo, 900–1000

    Bowl with Textured Surface Decoration

    Ancestral Pueblo

    ΔE 6.1 · close

    44% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 5.5 · close

    39% of canvas

  • Panel by Spain, Late 16th century

    Panel

    Spain

    ΔE 3.0 · very close

    25% of canvas

  • Norway by Charles George Lewis, 1866

    Norway

    Charles George Lewis

    ΔE 11.1 · close

    66% of canvas

  • Salisbury Cathedral from the Meadows: the Rainbow by David Lucas, 1834

    Salisbury Cathedral from the Meadows: the Rainbow

    David Lucas

    ΔE 2.8 · very close

    24% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 12.1 · loosely related

    70% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 5.4 · close

    36% of canvas

  • Amicus Plato and Scientia by Louis Oscar Roty, c. 1880/92

    Amicus Plato and Scientia

    Louis Oscar Roty

    ΔE 4.2 · very close

    30% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 7.9 · close

    48% of canvas

  • The Small Crucifixion ("The Pommel of Emperor Maximilian") by Albrecht Dürer, 1519

    The Small Crucifixion ("The Pommel of Emperor Maximilian")

    Albrecht Dürer

    ΔE 1.4 · near-exact

    16% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 3.3 · very close

    25% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 5.4 · close

    35% of canvas

  • Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects by Chimú, 1200–1450

    Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects

    Chimú

    ΔE 2.8 · very close

    22% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 2.3 · very close

    19% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 5.0 · close

    33% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.2 · very close

    28% of canvas

  • Alpine Club by Louis Oscar Roty, c. 1880/92

    Alpine Club

    Louis Oscar Roty

    ΔE 3.5 · very close

    24% of canvas

  • Conrad Hertz, Stiffter by Georg Fennitzer, n.d.

    Conrad Hertz, Stiffter

    Georg Fennitzer

    ΔE 6.0 · close

    37% of canvas

  • On Stage III by Hilaire Germain Edgar Degas, 1876–77

    On Stage III

    Hilaire Germain Edgar Degas

    ΔE 1.8 · near-exact

    16% of canvas

  • Saint George by Benedetto Montagna, 1506

    Saint George

    Benedetto Montagna

    ΔE 3.8 · very close

    26% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 3.7 · very close

    25% of canvas

  • Sudarium Displayed by Two Angels by Albrecht Dürer, 1513

    Sudarium Displayed by Two Angels

    Albrecht Dürer

    ΔE 4.0 · very close

    26% of canvas

  • The Children's Bath by Israhel van Meckenem, the younger, 1480/90

    The Children's Bath

    Israhel van Meckenem, the younger

    ΔE 2.4 · very close

    18% of canvas

  • Judith with the Head of Holofernes by Girolamo Mocetto, n.d.

    Judith with the Head of Holofernes

    Girolamo Mocetto

    ΔE 3.4 · very close

    23% of canvas

  • Kesa by Japan, late Edo period (1789–1868), late 18th/early 19th century

    Kesa

    Japan

    ΔE 5.0 · close

    31% of canvas

  • Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs by Ancestral Pueblo, 950–1400

    Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs

    Ancestral Pueblo

    ΔE 2.5 · very close

    18% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 8.7 · close

    49% of canvas

  • Summer Evening by David Lucas, 1831

    Summer Evening

    David Lucas

    ΔE 3.1 · very close

    21% of canvas

  • Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde by Pieter Tanjé, c. 1757

    Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde

    Pieter Tanjé

    ΔE 5.4 · close

    32% of canvas

  • View of Ponte Lugano on the Anio, from Views of Rome by Giovanni Battista Piranesi, 1763, published 1800–07

    View of Ponte Lugano on the Anio, from Views of Rome

    Giovanni Battista Piranesi

    ΔE 2.3 · very close

    17% of canvas

  • Pair of Mits by Europe or United States, 1825/75

    Pair of Mits

    Europe or United States

    ΔE 2.6 · very close

    18% of canvas

  • Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs by Ancestral Pueblo, 1000–1300

    Dipper or Ladle with Interlocking Zigzag and Step-Fret Designs

    Ancestral Pueblo

    ΔE 2.3 · very close

    17% of canvas

  • Inspruck, Italian Lakes by Charles George Lewis, 1869

    Inspruck, Italian Lakes

    Charles George Lewis

    ΔE 9.8 · close

    54% of canvas

  • Portrait of Don Emanuel Desvalls by Jacob Matthias Schmutzer, n.d.

    Portrait of Don Emanuel Desvalls

    Jacob Matthias Schmutzer

    ΔE 10.3 · close

    56% of canvas

  • Bowl with Bold Black-on-White Diamond and Zizgag Motifs by Ancestral Pueblo, 950–1400

    Bowl with Bold Black-on-White Diamond and Zizgag Motifs

    Ancestral Pueblo

    ΔE 2.3 · very close

    16% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 5.6 · close

    32% of canvas

  • Plate by English for the American market, c. 1790

    Plate

    English for the American market

    ΔE 8.3 · close

    45% of canvas

  • Seville, Vigo, Bay of Biscay by Charles George Lewis, 1872

    Seville, Vigo, Bay of Biscay

    Charles George Lewis

    ΔE 11.4 · close

    61% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 9.6 · close

    52% of canvas

  • Tunic by Nasca, 800-900

    Tunic

    Nasca

    ΔE 5.1 · close

    29% of canvas

  • The Adoration of the Shepherds by Master H.E., c. 1520

    The Adoration of the Shepherds

    Master H.E.

    ΔE 2.6 · very close

    17% of canvas

  • Hampstead Heath, Middlesex by David Lucas, n.d.

    Hampstead Heath, Middlesex

    David Lucas

    ΔE 2.8 · very close

    17% of canvas

  • Old Sarum by David Lucas, 1832

    Old Sarum

    David Lucas

    ΔE 3.3 · very close

    20% of canvas

  • Lady Elizabeth Montagu by James McArdell, 1756

    Lady Elizabeth Montagu

    James McArdell

    ΔE 3.0 · very close

    18% of canvas

  • Old Oaks at Bas Bréau by Adolphe Martial Potémont, c. 1865

    Old Oaks at Bas Bréau

    Adolphe Martial Potémont

    ΔE 5.1 · close

    28% of canvas

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