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#696a66

Ranked by perceptual distance

Works near #696a66

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 7.7 · close

    91% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 6.0 · close

    70% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 4.6 · very close

    58% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 10.6 · close

    86% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 4.9 · very close

    52% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 4.4 · very close

    46% of canvas

  • Waistcoat by England, 18th century

    Waistcoat

    England

    ΔE 1.0 · near-exact

    28% of canvas

  • Eric Leapt Out by Walter Stanley Paget, 1889

    Eric Leapt Out

    Walter Stanley Paget

    ΔE 0.5 · near-exact

    25% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 6.6 · close

    54% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 3.2 · very close

    36% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 6.8 · close

    53% of canvas

  • Two Portions from a Flounce by Southern Europe, 1850/1900

    Two Portions from a Flounce

    Southern Europe

    ΔE 0.6 · near-exact

    22% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 3.0 · very close

    32% of canvas

  • Melencolia I by Albrecht Dürer, 1514

    Melencolia I

    Albrecht Dürer

    ΔE 1.0 · near-exact

    21% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 2.6 · very close

    29% of canvas

  • Flounce by Belgium, 1875/1900

    Flounce

    Belgium

    ΔE 3.2 · very close

    31% of canvas

  • Mastoid (Drinking Cup) by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup)

    Ancient Greek

    ΔE 3.3 · very close

    32% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 1.7 · near-exact

    23% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 3.1 · very close

    28% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 2.0 · very close

    22% of canvas

  • Bottle by Ancient Roman, 1st century

    Bottle

    Ancient Roman

    ΔE 4.5 · very close

    34% of canvas

  • Fragment by France, Late 17th century

    Fragment

    France

    ΔE 2.4 · very close

    23% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 7.7 · close

    49% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 5.1 · close

    36% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 2.6 · very close

    23% of canvas

  • Fragment by Italy, Mid–16th century

    Fragment

    Italy

    ΔE 2.7 · very close

    22% of canvas

  • Judith with the Head of Holofernes by Girolamo Mocetto, n.d.

    Judith with the Head of Holofernes

    Girolamo Mocetto

    ΔE 3.2 · very close

    25% of canvas

  • Pair of Earrings by Ancient Roman, 1st century

    Pair of Earrings

    Ancient Roman

    ΔE 7.6 · close

    46% of canvas

  • Loch Lomond by Charles George Lewis, 1870

    Loch Lomond

    Charles George Lewis

    ΔE 9.8 · close

    57% of canvas

  • The Third Knot by Albrecht Dürer, c. 1507

    The Third Knot

    Albrecht Dürer

    ΔE 6.2 · close

    38% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 1.8 · near-exact

    16% of canvas

  • Carrying Cloth by Inca, 1476-1532

    Carrying Cloth

    Inca

    ΔE 2.6 · very close

    19% of canvas

  • The Adoration of the Magi by Albrecht Dürer, 1511

    The Adoration of the Magi

    Albrecht Dürer

    ΔE 3.1 · very close

    22% of canvas

  • Sewing Box by France, 19th century

    Sewing Box

    France

    ΔE 1.8 · near-exact

    15% of canvas

  • Flounce by Belgium, Brussels, 1860s

    Flounce

    Belgium, Brussels

    ΔE 3.3 · very close

    22% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 4.2 · very close

    27% of canvas

  • Headdress by Austria, Vienna, 19th century

    Headdress

    Austria, Vienna

    ΔE 2.9 · very close

    19% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 3.9 · very close

    24% of canvas

  • Handkerchief by Belgium, 1850/75

    Handkerchief

    Belgium

    ΔE 3.1 · very close

    20% of canvas

  • The Witch by Circle of Alessandro Magnasco, 1700–1725

    The Witch

    Circle of Alessandro Magnasco

    ΔE 3.4 · very close

    21% of canvas

  • Fan by France, 19th century

    Fan

    France

    ΔE 2.6 · very close

    17% of canvas

  • Border by France, 1775/1825

    Border

    France

    ΔE 5.5 · close

    31% of canvas

  • Fan by France, c. 1880

    Fan

    France

    ΔE 4.2 · very close

    25% of canvas

  • Loch Inver to Kirkwall by Charles George Lewis, 1870

    Loch Inver to Kirkwall

    Charles George Lewis

    ΔE 10.7 · close

    57% of canvas

  • Lamp by Ancient Roman, 2nd-3rd century

    Lamp

    Ancient Roman

    ΔE 2.0 · near-exact

    13% of canvas

  • Headdress by Austria, Vienna, 19th century

    Headdress

    Austria, Vienna

    ΔE 3.4 · very close

    20% of canvas

  • Fan by France, 18th century, Louis XV period, 1774–1793)

    Fan

    France

    ΔE 2.8 · very close

    17% of canvas

  • The Whore of Babylon, from The Apocalypse by Albrecht Dürer, 1496–98

    The Whore of Babylon, from The Apocalypse

    Albrecht Dürer

    ΔE 3.9 · very close

    23% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 10.7 · close

    57% of canvas

  • Seated Woman by Pierre-Jacques Volaire, n.d.

    Seated Woman

    Pierre-Jacques Volaire

    ΔE 8.5 · close

    46% of canvas

  • Flounce or Border by Germany, Hungary or Yugoslovia, 1850/1900

    Flounce or Border

    Germany, Hungary or Yugoslovia

    ΔE 2.9 · very close

    17% of canvas

  • Miniature Pyxis (Container for Personal Objects) by Ancient Greek, 300-270 BCE

    Miniature Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 1.4 · near-exact

    10% of canvas

  • Saint George by Benedetto Montagna, 1506

    Saint George

    Benedetto Montagna

    ΔE 4.6 · very close

    26% of canvas

  • The Holy Kinship and Two Musical Angels by Albrecht Dürer, 1511

    The Holy Kinship and Two Musical Angels

    Albrecht Dürer

    ΔE 3.4 · very close

    19% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 3.3 · very close

    19% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 4.4 · very close

    24% of canvas

  • Fragment by France, Mid–18th century

    Fragment

    France

    ΔE 2.6 · very close

    16% of canvas

  • Pitcher in the Form of an Open Mouthed Animal with Geometric Incising on Back by Chimú, 1000–1400

    Pitcher in the Form of an Open Mouthed Animal with Geometric Incising on Back

    Chimú

    ΔE 3.6 · very close

    21% of canvas

  • Double-Chambered Strap Vessel with Sculpted Bird Head by Chimú, 1200–1450

    Double-Chambered Strap Vessel with Sculpted Bird Head

    Chimú

    ΔE 5.6 · close

    30% of canvas

  • Panel (Furnishing Fabric) by France, 19th century

    Panel (Furnishing Fabric)

    France

    ΔE 4.4 · very close

    24% of canvas

What ΔE means, and what this does not measure