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#6a5131

Ranked by perceptual distance

Works near #6a5131

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 3.9 · very close

    49% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.7 · very close

    42% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 1.5 · near-exact

    34% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 2.9 · very close

    39% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 4.1 · very close

    41% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 1.3 · near-exact

    26% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 4.6 · very close

    41% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 0.2 · near-exact

    18% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 3.2 · very close

    33% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.2 · close

    48% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 3.5 · very close

    33% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 3.8 · very close

    33% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 3.6 · very close

    31% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 2.1 · very close

    23% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 2.9 · very close

    27% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 1.4 · near-exact

    19% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 3.4 · very close

    27% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.8 · very close

    24% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 2.2 · very close

    20% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 4.9 · very close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.7 · very close

    21% of canvas

  • Fragment (From an Orphrey Band) by Italy, Florence, Mid–15th century

    Fragment (From an Orphrey Band)

    Italy, Florence

    ΔE 3.2 · very close

    22% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 16.0 · loosely related

    86% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.3 · very close

    27% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.4 · close

    38% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.9 · very close

    30% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 2.0 · very close

    16% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.9 · very close

    24% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.8 · close

    34% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 2.7 · very close

    18% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 3.6 · very close

    21% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 4.0 · very close

    22% of canvas

  • Chair Seat by Abigail Davenport (Williams), c. 1717

    Chair Seat

    Abigail Davenport (Williams)

    ΔE 2.3 · very close

    14% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 6.7 · close

    35% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 3.6 · very close

    20% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 4.9 · very close

    26% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 3.5 · very close

    19% of canvas

  • Roundel Fragment by Egypt, 7th century

    Roundel Fragment

    Egypt

    ΔE 5.0 · close

    26% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 7.0 · close

    35% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 3.6 · very close

    18% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.9 · close

    30% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 4.7 · very close

    23% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.7 · very close

    24% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 4.3 · very close

    20% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 1.9 · near-exact

    9% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 3.8 · very close

    18% of canvas

  • Teetertotter in Church Building by Unknown artist, n.d.

    Teetertotter in Church Building

    Unknown artist

    ΔE 2.2 · very close

    10% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.4 · close

    25% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.3 · close

    29% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 5.2 · close

    23% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 3.5 · very close

    14% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 4.7 · very close

    19% of canvas

  • Fragment by France, Lyon, 1775/1800

    Fragment

    France, Lyon

    ΔE 3.5 · very close

    14% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 5.9 · close

    25% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.8 · very close

    20% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.7 · close

    24% of canvas

  • Cornwall by Charles George Lewis, 1868–69

    Cornwall

    Charles George Lewis

    ΔE 12.3 · loosely related

    57% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 2.7 · very close

    9% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.3 · close

    27% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 6.3 · close

    27% of canvas

What ΔE means, and what this does not measure