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#6d5d1d

Ranked by perceptual distance

Works near #6d5d1d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 2.6 · very close

    33% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 2.7 · very close

    30% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 0.2 · near-exact

    16% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.4 · very close

    22% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 3.3 · very close

    21% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 7.9 · close

    41% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 6.9 · close

    33% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 4.5 · very close

    21% of canvas

  • Saint Albans Steeplechase by Charles Hunt, 1837

    Saint Albans Steeplechase

    Charles Hunt

    ΔE 3.4 · very close

    14% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.5 · close

    38% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 7.0 · close

    29% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.8 · close

    28% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 4.7 · very close

    17% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 8.4 · close

    35% of canvas

  • Fragment by France, Mid–18th century

    Fragment

    France

    ΔE 3.6 · very close

    11% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 9.7 · close

    41% of canvas

  • Springtime by Théodore Rousseau, c. 1860

    Springtime

    Théodore Rousseau

    ΔE 7.2 · close

    28% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.8 · close

    20% of canvas

  • Elizabeth Serocold by Isaac Gosset, 1740/60

    Elizabeth Serocold

    Isaac Gosset

    ΔE 5.1 · close

    15% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.5 · close

    32% of canvas

  • Old Farmhouse by Unknown artist, n.d.

    Old Farmhouse

    Unknown artist

    ΔE 4.2 · very close

    10% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.8 · close

    23% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 4.0 · very close

    9% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.8 · close

    17% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.1 · close

    24% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 6.8 · close

    22% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 9.7 · close

    36% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 9.3 · close

    34% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 9.3 · close

    34% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 9.2 · close

    34% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 6.4 · close

    19% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 10.9 · close

    42% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 14.1 · loosely related

    57% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 11.2 · close

    42% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 8.3 · close

    28% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 7.1 · close

    21% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 8.3 · close

    27% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 12.7 · loosely related

    49% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.5 · close

    17% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 8.4 · close

    27% of canvas

  • Panel by France or England, c. 1725

    Panel

    France or England

    ΔE 8.6 · close

    27% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 7.6 · close

    21% of canvas

  • Wounded Lioness by Pierre Andrieu, c. 1850

    Wounded Lioness

    Pierre Andrieu

    ΔE 7.5 · close

    20% of canvas

  • Fragment by Italy, 1575/1625

    Fragment

    Italy

    ΔE 14.5 · loosely related

    55% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 6.8 · close

    16% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 9.1 · close

    28% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 7.5 · close

    19% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 11.4 · close

    39% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 6.7 · close

    15% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 10.0 · close

    32% of canvas

  • Good and Evil Influences (Zendama akudama) by Eishosai Choki, c. 1795

    Good and Evil Influences (Zendama akudama)

    Eishosai Choki

    ΔE 9.7 · close

    30% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 12.4 · loosely related

    43% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 10.0 · close

    30% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 9.1 · close

    26% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 10.6 · close

    33% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 21.2 · loosely related

    86% of canvas

  • Unfinished Study of Sheep by Constant Troyon, c. 1850

    Unfinished Study of Sheep

    Constant Troyon

    ΔE 5.9 · close

    9% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 7.4 · close

    17% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 5.6 · close

    8% of canvas

  • Kesa by Japan, late Edo period (1789–1868), early 19th century

    Kesa

    Japan

    ΔE 9.2 · close

    25% of canvas

What ΔE means, and what this does not measure