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#6d6f6d

Ranked by perceptual distance

Works near #6d6f6d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 5.6 · close

    91% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 3.8 · very close

    70% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 3.6 · very close

    52% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 3.3 · very close

    46% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 6.2 · close

    58% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 12.3 · loosely related

    86% of canvas

  • Bottle by Ancient Roman, 1st century

    Bottle

    Ancient Roman

    ΔE 2.6 · very close

    34% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 3.1 · very close

    36% of canvas

  • Fragment by France, Late 17th century

    Fragment

    France

    ΔE 0.6 · near-exact

    23% of canvas

  • Mastoid (Drinking Cup) by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup)

    Ancient Greek

    ΔE 2.5 · very close

    32% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 7.7 · close

    54% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 1.9 · near-exact

    24% of canvas

  • Eric Leapt Out by Walter Stanley Paget, 1889

    Eric Leapt Out

    Walter Stanley Paget

    ΔE 2.1 · very close

    25% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 4.5 · very close

    36% of canvas

  • Fan by France, c. 1880

    Fan

    France

    ΔE 2.3 · very close

    25% of canvas

  • The Witch by Circle of Alessandro Magnasco, 1700–1725

    The Witch

    Circle of Alessandro Magnasco

    ΔE 1.9 · near-exact

    21% of canvas

  • Seated Woman by Pierre-Jacques Volaire, n.d.

    Seated Woman

    Pierre-Jacques Volaire

    ΔE 6.8 · close

    46% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 8.3 · close

    53% of canvas

  • Fragment by Italy, Mid–16th century

    Fragment

    Italy

    ΔE 2.2 · very close

    22% of canvas

  • Waistcoat by England, 18th century

    Waistcoat

    England

    ΔE 3.2 · very close

    28% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 2.4 · very close

    23% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.3 · very close

    27% of canvas

  • Flounce by Belgium, 1875/1900

    Flounce

    Belgium

    ΔE 4.2 · very close

    31% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.3 · very close

    32% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, end of 4th century BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 2.7 · very close

    23% of canvas

  • Border by France, 1775/1825

    Border

    France

    ΔE 4.3 · very close

    31% of canvas

  • Two Portions from a Flounce by Southern Europe, 1850/1900

    Two Portions from a Flounce

    Southern Europe

    ΔE 2.5 · very close

    22% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 3.1 · very close

    24% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 8.2 · close

    49% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 4.1 · very close

    29% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 4.0 · very close

    28% of canvas

  • Panel (Furnishing Fabric) by France, 19th century

    Panel (Furnishing Fabric)

    France

    ΔE 3.4 · very close

    24% of canvas

  • Melencolia I by Albrecht Dürer, 1514

    Melencolia I

    Albrecht Dürer

    ΔE 2.8 · very close

    21% of canvas

  • Carrying Cloth by Inca, 1476-1532

    Carrying Cloth

    Inca

    ΔE 2.5 · very close

    19% of canvas

  • Arcadian Landscape with Figures by Alessandro Magnasco, c. 1700

    Arcadian Landscape with Figures

    Alessandro Magnasco

    ΔE 2.0 · very close

    17% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 3.0 · very close

    22% of canvas

  • Fan by Benjamin West, 1775/1800

    Fan

    Benjamin West

    ΔE 2.0 · near-exact

    16% of canvas

  • Bertha and Two Cuffs (Made from a Border) by Probably Italy, Venice, 1895/1905

    Bertha and Two Cuffs (Made from a Border)

    Probably Italy, Venice

    ΔE 2.0 · near-exact

    16% of canvas

  • Soup Bowl by China, c. 1745

    Soup Bowl

    China

    ΔE 1.8 · near-exact

    15% of canvas

  • Fragment (Dress Fabric) by France, 18th century

    Fragment (Dress Fabric)

    France

    ΔE 1.9 · near-exact

    15% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 1.9 · near-exact

    14% of canvas

  • Chasuble by Spain, 1775/1825

    Chasuble

    Spain

    ΔE 4.0 · very close

    25% of canvas

  • Three Flounces by Belgium, 1875/1900

    Three Flounces

    Belgium

    ΔE 2.1 · very close

    15% of canvas

  • Decanter by Artist unknown, 1815–35

    Decanter

    Artist unknown

    ΔE 4.0 · very close

    24% of canvas

  • Fan by France, 19th century

    Fan

    France

    ΔE 2.6 · very close

    17% of canvas

  • Shawled Woman Seen from the Back by Pierre-Jacques Volaire, n.d.

    Shawled Woman Seen from the Back

    Pierre-Jacques Volaire

    ΔE 11.9 · close

    63% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 3.8 · very close

    23% of canvas

  • Fragment by France, Mid–18th century

    Fragment

    France

    ΔE 2.4 · very close

    16% of canvas

  • Headdress by Austria, Vienna, 19th century

    Headdress

    Austria, Vienna

    ΔE 2.7 · very close

    17% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 3.7 · very close

    21% of canvas

  • Sewing Box by France, 19th century

    Sewing Box

    France

    ΔE 2.5 · very close

    15% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 4.0 · very close

    22% of canvas

  • Nydia, The Blind Flower Girl of Pompeii by Randolph Rogers, modeled 1855–56, carved 1858

    Nydia, The Blind Flower Girl of Pompeii

    Randolph Rogers

    ΔE 2.7 · very close

    16% of canvas

  • Double Spout and Bridge Vessel in the Form of a Ridged Gourd by Paracas, 650–150 BCE

    Double Spout and Bridge Vessel in the Form of a Ridged Gourd

    Paracas

    ΔE 4.1 · very close

    22% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 2.3 · very close

    13% of canvas

  • Fan by England, 18th century

    Fan

    England

    ΔE 2.1 · very close

    12% of canvas

  • Headdress by Austria, Vienna, 19th century

    Headdress

    Austria, Vienna

    ΔE 3.6 · very close

    19% of canvas

  • Panel by France, 1750/1800

    Panel

    France

    ΔE 3.0 · very close

    16% of canvas

  • Judith with the Head of Holofernes by Girolamo Mocetto, n.d.

    Judith with the Head of Holofernes

    Girolamo Mocetto

    ΔE 4.7 · very close

    25% of canvas

  • Flounce by Belgium, Brussels, 1860s

    Flounce

    Belgium, Brussels

    ΔE 4.4 · very close

    22% of canvas

What ΔE means, and what this does not measure