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#6e706a

Ranked by perceptual distance

Works near #6e706a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 6.3 · close

    91% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 5.8 · close

    70% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 5.8 · close

    52% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 7.1 · close

    58% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 13.0 · loosely related

    86% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 5.5 · close

    46% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 1.9 · near-exact

    27% of canvas

  • Border by France, 1775/1825

    Border

    France

    ΔE 3.0 · very close

    31% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 3.1 · very close

    32% of canvas

  • Border by Spain, 17th century

    Border

    Spain

    ΔE 2.6 · very close

    29% of canvas

  • Panel (Furnishing Fabric) by France, 19th century

    Panel (Furnishing Fabric)

    France

    ΔE 1.9 · near-exact

    24% of canvas

  • Eric Leapt Out by Walter Stanley Paget, 1889

    Eric Leapt Out

    Walter Stanley Paget

    ΔE 2.1 · very close

    25% of canvas

  • Seated Woman by Pierre-Jacques Volaire, n.d.

    Seated Woman

    Pierre-Jacques Volaire

    ΔE 6.3 · close

    46% of canvas

  • Bottle by Ancient Roman, 1st century

    Bottle

    Ancient Roman

    ΔE 4.0 · very close

    34% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 4.5 · very close

    36% of canvas

  • Three Flounces by Belgium, 1875/1900

    Three Flounces

    Belgium

    ΔE 0.6 · near-exact

    15% of canvas

  • Waistcoat by England, 18th century

    Waistcoat

    England

    ΔE 3.2 · very close

    28% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 7.6 · close

    49% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 2.8 · very close

    24% of canvas

  • Melencolia I by Albrecht Dürer, 1514

    Melencolia I

    Albrecht Dürer

    ΔE 2.2 · very close

    21% of canvas

  • The Third Knot by Albrecht Dürer, c. 1507

    The Third Knot

    Albrecht Dürer

    ΔE 5.7 · close

    38% of canvas

  • Mastoid (Drinking Cup) by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup)

    Ancient Greek

    ΔE 4.4 · very close

    32% of canvas

  • Marquis of Waterford by Samuel Percy, 1775/1800

    Marquis of Waterford

    Samuel Percy

    ΔE 8.9 · close

    54% of canvas

  • Fragment by France, Late 17th century

    Fragment

    France

    ΔE 2.8 · very close

    23% of canvas

  • Two Portions from a Flounce by Southern Europe, 1850/1900

    Two Portions from a Flounce

    Southern Europe

    ΔE 2.6 · very close

    22% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 5.7 · close

    36% of canvas

  • Two Borders by Italy, 18th century

    Two Borders

    Italy

    ΔE 2.3 · very close

    19% of canvas

  • John Duke, Third Duke of Rutland (1696-1779) by Isaac Gosset, 1740/60

    John Duke, Third Duke of Rutland (1696-1779)

    Isaac Gosset

    ΔE 9.2 · close

    53% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 3.4 · very close

    24% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.7 · very close

    30% of canvas

  • Shawled Woman Seen from the Back by Pierre-Jacques Volaire, n.d.

    Shawled Woman Seen from the Back

    Pierre-Jacques Volaire

    ΔE 11.4 · close

    63% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 3.5 · very close

    23% of canvas

  • The Holy Kinship and Two Musical Angels by Albrecht Dürer, 1511

    The Holy Kinship and Two Musical Angels

    Albrecht Dürer

    ΔE 2.8 · very close

    19% of canvas

  • Judith with the Head of Holofernes by Girolamo Mocetto, n.d.

    Judith with the Head of Holofernes

    Girolamo Mocetto

    ΔE 3.9 · very close

    25% of canvas

  • The Opening of the Fifth and Sixth Seals, from The Apocalypse by Albrecht Dürer, c. 1496–98

    The Opening of the Fifth and Sixth Seals, from The Apocalypse

    Albrecht Dürer

    ΔE 3.6 · very close

    23% of canvas

  • Fan by France, c. 1880

    Fan

    France

    ΔE 4.0 · very close

    25% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, end of 4th century BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 3.8 · very close

    23% of canvas

  • Flounce by Belgium, 1875/1900

    Flounce

    Belgium

    ΔE 5.6 · close

    31% of canvas

  • Head and Shoulders of Veiled Woman by Sebastiano del Piombo, c. 1700

    Head and Shoulders of Veiled Woman

    Sebastiano del Piombo

    ΔE 9.1 · close

    48% of canvas

  • The Singer and the Lute Player by Israhel van Meckenem, the younger, c. 1495

    The Singer and the Lute Player

    Israhel van Meckenem, the younger

    ΔE 4.4 · very close

    24% of canvas

  • The Fifth Knot by Albrecht Dürer, c. 1507

    The Fifth Knot

    Albrecht Dürer

    ΔE 4.4 · very close

    24% of canvas

  • The Adoration of the Magi by Albrecht Dürer, 1511

    The Adoration of the Magi

    Albrecht Dürer

    ΔE 3.9 · very close

    22% of canvas

  • The Witch by Circle of Alessandro Magnasco, 1700–1725

    The Witch

    Circle of Alessandro Magnasco

    ΔE 3.9 · very close

    21% of canvas

  • Panel by France or Italy, c. 1860/1890 (based on a 1720s lace pattern)

    Panel

    France or Italy

    ΔE 5.2 · close

    28% of canvas

  • Panel by Italy, 16th/17th century

    Panel

    Italy

    ΔE 4.3 · very close

    23% of canvas

  • Fragment by Italy, Mid–16th century

    Fragment

    Italy

    ΔE 4.1 · very close

    22% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 6.8 · close

    35% of canvas

  • Decanter by Artist unknown, 1815–35

    Decanter

    Artist unknown

    ΔE 4.8 · very close

    24% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 4.4 · very close

    22% of canvas

  • The Whore of Babylon, from The Apocalypse by Albrecht Dürer, 1496–98

    The Whore of Babylon, from The Apocalypse

    Albrecht Dürer

    ΔE 4.6 · very close

    23% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 4.5 · very close

    22% of canvas

  • Adoration of the Magi by Unknown Artist, possibly Florentine, 1450–64, printed in the 18th century

    Adoration of the Magi

    Unknown Artist, possibly Florentine

    ΔE 7.3 · close

    36% of canvas

  • Portrait Bust of Sarah Gustave Simon by Jules Clément Chaplain, 1890 (?)

    Portrait Bust of Sarah Gustave Simon

    Jules Clément Chaplain

    ΔE 3.9 · very close

    19% of canvas

  • Chasuble by Spain, 1775/1825

    Chasuble

    Spain

    ΔE 5.1 · close

    25% of canvas

  • Border by Italy, 18th century

    Border

    Italy

    ΔE 3.9 · very close

    19% of canvas

  • The Annunciation, from The Life of the Virgin by Albrecht Dürer, c. 1503, published 1511

    The Annunciation, from The Life of the Virgin

    Albrecht Dürer

    ΔE 5.2 · close

    25% of canvas

  • Crispin by Gérard Edelinck, 1682

    Crispin

    Gérard Edelinck

    ΔE 3.5 · very close

    16% of canvas

  • The Second Knot by Albrecht Dürer, c. 1507

    The Second Knot

    Albrecht Dürer

    ΔE 3.8 · very close

    18% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 5.8 · close

    28% of canvas

  • St. George on Horseback, Killing the Dragon by Master Allaert Claesz, n.d.

    St. George on Horseback, Killing the Dragon

    Master Allaert Claesz

    ΔE 6.4 · close

    31% of canvas

What ΔE means, and what this does not measure