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#775c34

Ranked by perceptual distance

Works near #775c34

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 2.6 · very close

    38% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 2.4 · very close

    33% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 4.2 · very close

    41% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 5.8 · close

    49% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 0.1 · near-exact

    19% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 1.7 · near-exact

    24% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 5.6 · close

    41% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.9 · very close

    30% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.8 · very close

    34% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 3.4 · very close

    26% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.5 · very close

    32% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 3.6 · very close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.5 · very close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.9 · close

    42% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 3.6 · very close

    26% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.4 · very close

    30% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 5.2 · close

    34% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 4.3 · very close

    29% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 1.5 · near-exact

    15% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.4 · very close

    29% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 7.2 · close

    43% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 2.9 · very close

    21% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 8.6 · close

    48% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.8 · close

    39% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 6.9 · close

    39% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 2.8 · very close

    18% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 4.7 · very close

    28% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 5.8 · close

    32% of canvas

  • The Petitions [right part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Petitions [right part] from The Story of Artemisia

    Antoine Caron

    ΔE 3.5 · very close

    21% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 10.8 · close

    57% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.4 · close

    30% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 4.7 · very close

    26% of canvas

  • Portrait Bust of Alexandre Cabanel by Jules Clément Chaplain, c. 1880/92

    Portrait Bust of Alexandre Cabanel

    Jules Clément Chaplain

    ΔE 6.5 · close

    35% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 2.6 · very close

    15% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 2.5 · very close

    14% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 3.1 · very close

    17% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 2.3 · very close

    13% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 5.3 · close

    27% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 3.0 · very close

    16% of canvas

  • Amphora (Storage Jar) by Michigan Painter, 490-480 BCE

    Amphora (Storage Jar)

    Michigan Painter

    ΔE 2.0 · near-exact

    11% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 3.0 · very close

    16% of canvas

  • Cart on Road Flanked by Inn and Windmill by Thomas Richard Colman Dibdin, n.d.

    Cart on Road Flanked by Inn and Windmill

    Thomas Richard Colman Dibdin

    ΔE 3.2 · very close

    16% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.1 · close

    25% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 6.7 · close

    33% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 6.5 · close

    31% of canvas

  • Fragment by Peru

    Fragment

    Peru

    ΔE 1.7 · near-exact

    7% of canvas

  • Fragment by Italy, 1425-1475

    Fragment

    Italy

    ΔE 5.5 · close

    26% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 6.1 · close

    29% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 7.1 · close

    34% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 4.0 · very close

    18% of canvas

  • Three Little Girls by Narcisse Virgile Diaz de la Peña, c. 1870

    Three Little Girls

    Narcisse Virgile Diaz de la Peña

    ΔE 2.0 · near-exact

    7% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 5.6 · close

    25% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.2 · close

    33% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 6.4 · close

    29% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 4.7 · very close

    20% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.0 · close

    27% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.2 · very close

    17% of canvas

  • Qur'an by Islamic, Ottoman Egypt (1517–1867), c.1816

    Qur'an

    Islamic

    ΔE 2.3 · very close

    7% of canvas

  • Tapestry Medallion by Nasca, 650 CE-700 CE

    Tapestry Medallion

    Nasca

    ΔE 4.4 · very close

    18% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.9 · very close

    10% of canvas

What ΔE means, and what this does not measure