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#777c7c

Ranked by perceptual distance

Works near #777c7c

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 2.7 · very close

    91% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 3.6 · very close

    70% of canvas

  • Seated Woman by Pierre-Jacques Volaire, n.d.

    Seated Woman

    Pierre-Jacques Volaire

    ΔE 3.4 · very close

    46% of canvas

  • Shawled Woman Seen from the Back by Pierre-Jacques Volaire, n.d.

    Shawled Woman Seen from the Back

    Pierre-Jacques Volaire

    ΔE 7.1 · close

    63% of canvas

  • Miniature Pyxis (Container for Personal Objects) by Ancient Greek, 300-270 BCE

    Miniature Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 5.7 · close

    52% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 515-500 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 7.1 · close

    58% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 2.8 · very close

    35% of canvas

  • Skyphos (Drinking Cup) by Ancient Greek, 450-400 BCE

    Skyphos (Drinking Cup)

    Ancient Greek

    ΔE 1.8 · near-exact

    30% of canvas

  • Kantharos (Wine Cup) by Kantharos Group, about 300 BCE

    Kantharos (Wine Cup)

    Kantharos Group

    ΔE 2.8 · very close

    34% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 6.4 · close

    52% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 3.6 · very close

    36% of canvas

  • Amulet of the Goddess Isis Nursing the God Horus by Ancient Egyptian, Third Intermediate Period, Dynasty 25 (about 747–656 BCE)

    Amulet of the Goddess Isis Nursing the God Horus

    Ancient Egyptian

    ΔE 0.4 · near-exact

    18% of canvas

  • Fan by France, Empire period, 19th century

    Fan

    France

    ΔE 2.8 · very close

    29% of canvas

  • Altar Frontal by Italy, 18th century

    Altar Frontal

    Italy

    ΔE 2.4 · very close

    27% of canvas

  • Lamp by Ancient Roman, 2nd-3rd century

    Lamp

    Ancient Roman

    ΔE 6.8 · close

    48% of canvas

  • Bottle by Ancient Roman, 1st century

    Bottle

    Ancient Roman

    ΔE 4.1 · very close

    34% of canvas

  • Amphora (Storage Jar) by Michigan Painter, 490-480 BCE

    Amphora (Storage Jar)

    Michigan Painter

    ΔE 8.3 · close

    55% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 6.6 · close

    46% of canvas

  • Half Shawl by France, probably Bayeux, 1855/65

    Half Shawl

    France, probably Bayeux

    ΔE 2.8 · very close

    27% of canvas

  • Half-Length Praying Figure by Style of Carlo Cignani, n.d.

    Half-Length Praying Figure

    Style of Carlo Cignani

    ΔE 11.5 · close

    70% of canvas

  • Amphora (Storage Jar) by Ixion Painter, 340-330 BCE

    Amphora (Storage Jar)

    Ixion Painter

    ΔE 5.3 · close

    39% of canvas

  • Fragment by France or Italy, Mid–17th century

    Fragment

    France or Italy

    ΔE 1.5 · near-exact

    20% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 3.8 · very close

    31% of canvas

  • Cap by Russia, 19th century

    Cap

    Russia

    ΔE 3.6 · very close

    30% of canvas

  • Handkerchief by Belgium, 1875/1900

    Handkerchief

    Belgium

    ΔE 2.3 · very close

    23% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 2.7 · very close

    25% of canvas

  • Decanter by Artist unknown, 1815–35

    Decanter

    Artist unknown

    ΔE 2.6 · very close

    24% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 3.3 · very close

    28% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 2.7 · very close

    24% of canvas

  • Fragment (Bottom of Skirt) by France, 1810

    Fragment (Bottom of Skirt)

    France

    ΔE 5.0 · close

    35% of canvas

  • Mastoid (Drinking Cup) by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup)

    Ancient Greek

    ΔE 3.1 · very close

    26% of canvas

  • Panel by France, 1732/34

    Panel

    France

    ΔE 3.5 · very close

    27% of canvas

  • Chasuble by Spain, 1775/1825

    Chasuble

    Spain

    ΔE 3.0 · very close

    25% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 1.0 · near-exact

    14% of canvas

  • Teucer by Hamo Thornycroft, Modeled 1880-81, cast 1891

    Teucer

    Hamo Thornycroft

    ΔE 3.6 · very close

    27% of canvas

  • Border by France, 1775/1825

    Border

    France

    ΔE 4.5 · very close

    31% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 3.6 · very close

    27% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 4.4 · very close

    30% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 1.5 · near-exact

    15% of canvas

  • Panel by France or Italy, c. 1860/1890 (based on a 1720s lace pattern)

    Panel

    France or Italy

    ΔE 4.2 · very close

    28% of canvas

  • Panel by England or France, c. 1707

    Panel

    England or France

    ΔE 3.3 · very close

    23% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, end of 4th century BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 3.3 · very close

    23% of canvas

  • Blackware Vessel in the Form of a Llama by Chimú, 1200–1450

    Blackware Vessel in the Form of a Llama

    Chimú

    ΔE 8.3 · close

    47% of canvas

  • Fragment (Band) by Nasca, 700-900

    Fragment (Band)

    Nasca

    ΔE 2.7 · very close

    19% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 2.8 · very close

    19% of canvas

  • Border by Belgium, Flanders, probably Antwerp, 1825/50

    Border

    Belgium, Flanders, probably Antwerp

    ΔE 2.8 · very close

    19% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 4.1 · very close

    25% of canvas

  • Headdress by Austria, Vienna, 19th century

    Headdress

    Austria, Vienna

    ΔE 2.7 · very close

    18% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 3.3 · very close

    21% of canvas

  • Fragment (Possibly Chausable) by France, 1775/1800

    Fragment (Possibly Chausable)

    France

    ΔE 4.2 · very close

    26% of canvas

  • Head and Shoulders of Veiled Woman by Sebastiano del Piombo, c. 1700

    Head and Shoulders of Veiled Woman

    Sebastiano del Piombo

    ΔE 8.8 · close

    48% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 4.1 · very close

    24% of canvas

  • Fan (Vernis Martin Type) by France, Louis XV period (1715–1774), 1725–1774

    Fan (Vernis Martin Type)

    France

    ΔE 3.4 · very close

    21% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 5.5 · close

    31% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 3.4 · very close

    21% of canvas

  • Orphrey by Spain or Italy, 16th century

    Orphrey

    Spain or Italy

    ΔE 4.7 · very close

    27% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 3.7 · very close

    22% of canvas

  • Flounce by Belgium, Brussels, 1860s/90s

    Flounce

    Belgium, Brussels

    ΔE 3.4 · very close

    20% of canvas

  • Fragment by Italy, Late 15th century

    Fragment

    Italy

    ΔE 3.6 · very close

    21% of canvas

  • Fragments by France, Lyon, c. 1725

    Fragments

    France, Lyon

    ΔE 2.7 · very close

    16% of canvas

What ΔE means, and what this does not measure