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#7a7a77

Ranked by perceptual distance

Works near #7a7a77

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 1.9 · near-exact

    91% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 4.6 · very close

    70% of canvas

  • Seated Woman by Pierre-Jacques Volaire, n.d.

    Seated Woman

    Pierre-Jacques Volaire

    ΔE 2.7 · very close

    46% of canvas

  • Shawled Woman Seen from the Back by Pierre-Jacques Volaire, n.d.

    Shawled Woman Seen from the Back

    Pierre-Jacques Volaire

    ΔE 7.4 · close

    63% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 2.2 · very close

    35% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 5.7 · close

    52% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 2.7 · very close

    36% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 515-500 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 7.3 · close

    58% of canvas

  • Bottle by Ancient Roman, 1st century

    Bottle

    Ancient Roman

    ΔE 3.0 · very close

    34% of canvas

  • Altar Frontal by Italy, 18th century

    Altar Frontal

    Italy

    ΔE 1.6 · near-exact

    27% of canvas

  • Fan by France, Empire period, 19th century

    Fan

    France

    ΔE 2.1 · very close

    29% of canvas

  • Decanter by Artist unknown, 1815–35

    Decanter

    Artist unknown

    ΔE 1.3 · near-exact

    24% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 2.0 · very close

    28% of canvas

  • Handkerchief by Belgium, 1875/1900

    Handkerchief

    Belgium

    ΔE 1.2 · near-exact

    23% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 5.8 · close

    46% of canvas

  • Miniature Pyxis (Container for Personal Objects) by Ancient Greek, 300-270 BCE

    Miniature Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 7.0 · close

    52% of canvas

  • Half Shawl by France, probably Bayeux, 1855/65

    Half Shawl

    France, probably Bayeux

    ΔE 2.0 · very close

    27% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 1.8 · near-exact

    25% of canvas

  • Border by France, 1775/1825

    Border

    France

    ΔE 3.0 · very close

    31% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 1.8 · near-exact

    24% of canvas

  • Chasuble by Spain, 1775/1825

    Chasuble

    Spain

    ΔE 2.0 · very close

    25% of canvas

  • Panel by France or Italy, c. 1860/1890 (based on a 1720s lace pattern)

    Panel

    France or Italy

    ΔE 2.9 · very close

    28% of canvas

  • Cap by Russia, 19th century

    Cap

    Russia

    ΔE 3.3 · very close

    30% of canvas

  • Fragment by France or Italy, Mid–17th century

    Fragment

    France or Italy

    ΔE 1.4 · near-exact

    20% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 1.5 · near-exact

    21% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 3.6 · very close

    31% of canvas

  • Blackware Vessel in the Form of a Llama by Chimú, 1200–1450

    Blackware Vessel in the Form of a Llama

    Chimú

    ΔE 0.7 · near-exact

    16% of canvas

  • Abdiel by Horatio Greenough, 1838–43

    Abdiel

    Horatio Greenough

    ΔE 2.4 · very close

    24% of canvas

  • A Burgher of Calais (Jean d'Aire) by Auguste Rodin, Modeled 1889

    A Burgher of Calais (Jean d'Aire)

    Auguste Rodin

    ΔE 0.5 · near-exact

    14% of canvas

  • Teucer by Hamo Thornycroft, Modeled 1880-81, cast 1891

    Teucer

    Hamo Thornycroft

    ΔE 3.1 · very close

    27% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, end of 4th century BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 2.4 · very close

    23% of canvas

  • Amphora (Storage Jar) by Ixion Painter, 340-330 BCE

    Amphora (Storage Jar)

    Ixion Painter

    ΔE 5.6 · close

    39% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.3 · very close

    27% of canvas

  • Fragment (Band) by Nasca, 700-900

    Fragment (Band)

    Nasca

    ΔE 1.8 · near-exact

    19% of canvas

  • Half-Length Praying Figure by Style of Carlo Cignani, n.d.

    Half-Length Praying Figure

    Style of Carlo Cignani

    ΔE 12.0 · loosely related

    70% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 3.4 · very close

    27% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 2.2 · very close

    21% of canvas

  • Skyphos (Drinking Cup) by Ancient Greek, 450-400 BCE

    Skyphos (Drinking Cup)

    Ancient Greek

    ΔE 4.1 · very close

    30% of canvas

  • Panel by France, 1732/34

    Panel

    France

    ΔE 3.5 · very close

    27% of canvas

  • Headdress by Austria, Vienna, 19th century

    Headdress

    Austria, Vienna

    ΔE 1.8 · near-exact

    18% of canvas

  • Amphora (Storage Jar) by Michigan Painter, 490-480 BCE

    Amphora (Storage Jar)

    Michigan Painter

    ΔE 9.1 · close

    55% of canvas

  • Borders by Italy, Burano, Burano School of Lace, 1875/1900 (based on French lace of 1760s)

    Borders

    Italy, Burano, Burano School of Lace

    ΔE 0.5 · near-exact

    11% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 8.1 · close

    49% of canvas

  • Lamp by Ancient Roman, 2nd-3rd century

    Lamp

    Ancient Roman

    ΔE 7.9 · close

    48% of canvas

  • Panel by England or France, c. 1707

    Panel

    England or France

    ΔE 3.0 · very close

    23% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 3.1 · very close

    24% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 2.1 · very close

    19% of canvas

  • Border by Belgium, Flanders, probably Antwerp, 1825/50

    Border

    Belgium, Flanders, probably Antwerp

    ΔE 2.1 · very close

    19% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 2.8 · very close

    22% of canvas

  • Kantharos (Wine Cup) by Kantharos Group, about 300 BCE

    Kantharos (Wine Cup)

    Kantharos Group

    ΔE 5.3 · close

    34% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 4.4 · very close

    30% of canvas

  • Fragments by France, Lyon, c. 1725

    Fragments

    France, Lyon

    ΔE 1.8 · near-exact

    16% of canvas

  • Coif by England, 1601/25

    Coif

    England

    ΔE 0.2 · near-exact

    8% of canvas

  • Fan by France, c. 1880

    Fan

    France

    ΔE 3.6 · very close

    25% of canvas

  • Fragment (Bottom of Skirt) by France, 1810

    Fragment (Bottom of Skirt)

    France

    ΔE 5.9 · close

    35% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 4.0 · very close

    25% of canvas

  • Panel (Furnishing Fabric) by France, 19th century

    Panel (Furnishing Fabric)

    France

    ΔE 3.8 · very close

    24% of canvas

  • The Lost Pleiade by Randolph Rogers, 1874–75

    The Lost Pleiade

    Randolph Rogers

    ΔE 2.1 · very close

    15% of canvas

  • Amulet of the Goddess Isis Nursing the God Horus by Ancient Egyptian, Third Intermediate Period, Dynasty 25 (about 747–656 BCE)

    Amulet of the Goddess Isis Nursing the God Horus

    Ancient Egyptian

    ΔE 2.5 · very close

    18% of canvas

  • Fan (Vernis Martin Type) by France, Louis XV period (1715–1774), 1725–1774

    Fan (Vernis Martin Type)

    France

    ΔE 3.2 · very close

    21% of canvas

What ΔE means, and what this does not measure