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#7c7f7f

Ranked by perceptual distance

Works near #7c7f7f

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 1.9 · near-exact

    91% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, 430-420 BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 4.6 · very close

    70% of canvas

  • Shawled Woman Seen from the Back by Pierre-Jacques Volaire, n.d.

    Shawled Woman Seen from the Back

    Pierre-Jacques Volaire

    ΔE 6.0 · close

    63% of canvas

  • Seated Woman by Pierre-Jacques Volaire, n.d.

    Seated Woman

    Pierre-Jacques Volaire

    ΔE 2.9 · very close

    46% of canvas

  • Hydria (Water Jar) by Ancient Greek, about 515-500 BCE

    Hydria (Water Jar)

    Ancient Greek

    ΔE 5.5 · close

    58% of canvas

  • Miniature Pyxis (Container for Personal Objects) by Ancient Greek, 300-270 BCE

    Miniature Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 4.5 · very close

    52% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 1.7 · near-exact

    35% of canvas

  • Skyphos (Drinking Cup) by Ancient Greek, 450-400 BCE

    Skyphos (Drinking Cup)

    Ancient Greek

    ΔE 1.8 · near-exact

    30% of canvas

  • Kantharos (Wine Cup) by Kantharos Group, about 300 BCE

    Kantharos (Wine Cup)

    Kantharos Group

    ΔE 2.8 · very close

    34% of canvas

  • Amphora (Storage Jar) by Ixion Painter, 340-330 BCE

    Amphora (Storage Jar)

    Ixion Painter

    ΔE 3.7 · very close

    39% of canvas

  • Fragment by France, Louis XVI period, 1774–1792, late 18th century

    Fragment

    France

    ΔE 2.1 · very close

    31% of canvas

  • Lamp by Ancient Roman, 2nd-3rd century

    Lamp

    Ancient Roman

    ΔE 5.6 · close

    48% of canvas

  • Cap by Russia, 19th century

    Cap

    Russia

    ΔE 2.0 · near-exact

    30% of canvas

  • Fan by France, Empire period, 19th century

    Fan

    France

    ΔE 1.8 · near-exact

    29% of canvas

  • Altar Frontal by Italy, 18th century

    Altar Frontal

    Italy

    ΔE 1.6 · near-exact

    27% of canvas

  • Amphora (Storage Jar) by Michigan Painter, 490-480 BCE

    Amphora (Storage Jar)

    Michigan Painter

    ΔE 7.2 · close

    55% of canvas

  • Panel by France, 1732/34

    Panel

    France

    ΔE 1.8 · near-exact

    27% of canvas

  • Fragment (Bottom of Skirt) by France, 1810

    Fragment (Bottom of Skirt)

    France

    ΔE 3.5 · very close

    35% of canvas

  • Half Shawl by France, probably Bayeux, 1855/65

    Half Shawl

    France, probably Bayeux

    ΔE 1.8 · near-exact

    27% of canvas

  • Teucer by Hamo Thornycroft, Modeled 1880-81, cast 1891

    Teucer

    Hamo Thornycroft

    ΔE 2.0 · very close

    27% of canvas

  • Panel by Italy, Late 17th century

    Panel

    Italy

    ΔE 2.0 · near-exact

    27% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 7.0 · close

    52% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 2.7 · very close

    30% of canvas

  • Half-Length Praying Figure by Style of Carlo Cignani, n.d.

    Half-Length Praying Figure

    Style of Carlo Cignani

    ΔE 10.9 · close

    70% of canvas

  • Mastoid (Drinking Cup) by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup)

    Ancient Greek

    ΔE 2.0 · very close

    26% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 4.1 · very close

    36% of canvas

  • Handkerchief by Belgium, 1875/1900

    Handkerchief

    Belgium

    ΔE 1.6 · near-exact

    23% of canvas

  • Panel by England or France, c. 1707

    Panel

    England or France

    ΔE 1.8 · near-exact

    23% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 2.3 · very close

    25% of canvas

  • Panel by Italy, 16th century

    Panel

    Italy

    ΔE 2.8 · very close

    28% of canvas

  • Blackware Vessel in the Form of a Llama by Chimú, 1200–1450

    Blackware Vessel in the Form of a Llama

    Chimú

    ΔE 6.7 · close

    47% of canvas

  • Fan by France, 18th century, Louis XVI period (1774–1793)

    Fan

    France

    ΔE 2.4 · very close

    25% of canvas

  • Fragment (Possibly Chausable) by France, 1775/1800

    Fragment (Possibly Chausable)

    France

    ΔE 2.5 · very close

    26% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 0.4 · near-exact

    15% of canvas

  • Headdress by Russia, 19th century

    Headdress

    Russia

    ΔE 2.4 · very close

    24% of canvas

  • Orphrey by Spain or Italy, 16th century

    Orphrey

    Spain or Italy

    ΔE 3.1 · very close

    27% of canvas

  • Fan (Vernis Martin Type) by France, Louis XV period (1715–1774), 1725–1774

    Fan (Vernis Martin Type)

    France

    ΔE 1.8 · near-exact

    21% of canvas

  • Calyx Krater (Mixing Bowl) by Perugia Painter, about 400-380 BCE

    Calyx Krater (Mixing Bowl)

    Perugia Painter

    ΔE 3.9 · very close

    31% of canvas

  • Fragment by France or Italy, Mid–17th century

    Fragment

    France or Italy

    ΔE 1.8 · near-exact

    20% of canvas

  • Fragment by Italy, Late 15th century

    Fragment

    Italy

    ΔE 2.0 · near-exact

    21% of canvas

  • Bottle by Ancient Roman, 1st century

    Bottle

    Ancient Roman

    ΔE 4.7 · very close

    34% of canvas

  • Decanter by Artist unknown, 1815–35

    Decanter

    Artist unknown

    ΔE 2.8 · very close

    24% of canvas

  • Panel by France, Mid–18th century

    Panel

    France

    ΔE 1.8 · near-exact

    19% of canvas

  • Chasuble with Orphrey Bands by Spain, 17th century

    Chasuble with Orphrey Bands

    Spain

    ΔE 1.8 · near-exact

    19% of canvas

  • Border by Belgium, Flanders, probably Antwerp, 1825/50

    Border

    Belgium, Flanders, probably Antwerp

    ΔE 1.8 · near-exact

    19% of canvas

  • Amulet of the Goddess Isis Nursing the God Horus by Ancient Egyptian, Third Intermediate Period, Dynasty 25 (about 747–656 BCE)

    Amulet of the Goddess Isis Nursing the God Horus

    Ancient Egyptian

    ΔE 1.6 · near-exact

    18% of canvas

  • Flounce by Belgium, Brussels, 1860s/90s

    Flounce

    Belgium, Brussels

    ΔE 2.0 · near-exact

    20% of canvas

  • Tureen with Cover by Chinese export porcelain, c. 1787–90

    Tureen with Cover

    Chinese export porcelain

    ΔE 1.0 · near-exact

    14% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 7.3 · close

    46% of canvas

  • Milk Pot by Nicholas Roosevelt, c. 1750

    Milk Pot

    Nicholas Roosevelt

    ΔE 2.6 · very close

    22% of canvas

  • Chasuble by Spain, 1775/1825

    Chasuble

    Spain

    ΔE 3.2 · very close

    25% of canvas

  • Panel by France, 1750/1800

    Panel

    France

    ΔE 3.6 · very close

    26% of canvas

  • Dalmatic with Apparel and Orphrey Band by Spain, 17th century

    Dalmatic with Apparel and Orphrey Band

    Spain

    ΔE 1.7 · near-exact

    16% of canvas

  • Flounce by Italy, Venice, 1675/1700

    Flounce

    Italy, Venice

    ΔE 1.8 · near-exact

    16% of canvas

  • Fan by France, 1825/75

    Fan

    France

    ΔE 2.9 · very close

    22% of canvas

  • Panel by France or Italy, c. 1860/1890 (based on a 1720s lace pattern)

    Panel

    France or Italy

    ΔE 4.2 · very close

    28% of canvas

  • Fragment (Band) by Nasca, 700-900

    Fragment (Band)

    Nasca

    ΔE 2.5 · very close

    19% of canvas

  • Fragment of a Decorative Border by Nasca, 100 BCE-200 CE

    Fragment of a Decorative Border

    Nasca

    ΔE 12.1 · loosely related

    67% of canvas

  • Headdress by Austria, Vienna, 19th century

    Headdress

    Austria, Vienna

    ΔE 2.4 · very close

    18% of canvas

  • Medallion by Italy, 17th century

    Medallion

    Italy

    ΔE 8.4 · close

    48% of canvas

What ΔE means, and what this does not measure