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#7e6042

Ranked by perceptual distance

Works near #7e6042

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 4.4 · very close

    49% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 2.1 · very close

    31% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 2.3 · very close

    26% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.7 · very close

    38% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 2.6 · very close

    26% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 6.0 · close

    43% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 1.2 · near-exact

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.7 · very close

    29% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 2.6 · very close

    23% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 3.7 · very close

    29% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 3.9 · very close

    29% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.1 · very close

    30% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.4 · close

    41% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 0.7 · near-exact

    13% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 4.7 · very close

    32% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 9.6 · close

    57% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.2 · close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.6 · very close

    25% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 8.2 · close

    48% of canvas

  • Valance by France, 19th century

    Valance

    France

    ΔE 1.7 · near-exact

    15% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.0 · very close

    31% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 2.0 · very close

    16% of canvas

  • Fragment (From a Chasuble) by Italy, 1475-1500

    Fragment (From a Chasuble)

    Italy

    ΔE 0.6 · near-exact

    9% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.8 · very close

    30% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.0 · close

    39% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.9 · very close

    29% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.1 · close

    30% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.8 · very close

    18% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 4.6 · very close

    27% of canvas

  • The Feast [central part] from The Story of Artemisia by Antoine Caron, 1607/30

    The Feast [central part] from The Story of Artemisia

    Antoine Caron

    ΔE 2.9 · very close

    18% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.0 · close

    33% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 7.2 · close

    39% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.7 · close

    32% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 2.2 · very close

    14% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 6.1 · close

    33% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 9.5 · close

    49% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 3.2 · very close

    18% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 8.2 · close

    42% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 5.2 · close

    28% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 2.3 · very close

    13% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 2.8 · very close

    15% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 8.9 · close

    45% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 8.1 · close

    41% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.7 · very close

    24% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 18.1 · loosely related

    91% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 5.6 · close

    27% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 6.3 · close

    31% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.2 · close

    30% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 4.8 · very close

    23% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.3 · very close

    20% of canvas

  • Mask by Ancient Greek, 3rd-1st century BCE

    Mask

    Ancient Greek

    ΔE 2.1 · very close

    9% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 5.5 · close

    26% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 4.3 · very close

    19% of canvas

  • John Thomlinson and His Family by Arthur Devis, 1745

    John Thomlinson and His Family

    Arthur Devis

    ΔE 3.2 · very close

    14% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 6.9 · close

    31% of canvas

  • Three Medals Depicting Lincoln by Artist unknown, 1865–94

    Three Medals Depicting Lincoln

    Artist unknown

    ΔE 3.1 · very close

    13% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 4.7 · very close

    20% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 6.0 · close

    27% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.0 · close

    27% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 6.4 · close

    29% of canvas

What ΔE means, and what this does not measure