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#816434

Ranked by perceptual distance

Works near #816434

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 1.2 · near-exact

    32% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 2.0 · near-exact

    34% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 3.0 · very close

    38% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 1.9 · near-exact

    28% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 5.0 · close

    43% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 7.9 · close

    57% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 2.9 · very close

    30% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.9 · very close

    39% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 0.1 · near-exact

    12% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 4.4 · very close

    32% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 4.1 · very close

    31% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 3.6 · very close

    28% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 6.2 · close

    41% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.1 · very close

    30% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 6.7 · close

    43% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 1.6 · near-exact

    17% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.5 · very close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.2 · very close

    24% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.5 · close

    45% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 4.2 · very close

    29% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.8 · close

    41% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 5.5 · close

    35% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 4.7 · very close

    30% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 4.3 · very close

    27% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 5.6 · close

    33% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.8 · close

    49% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 4.4 · very close

    26% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.9 · close

    33% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 2.2 · very close

    14% of canvas

  • Cart on Road Flanked by Inn and Windmill by Thomas Richard Colman Dibdin, n.d.

    Cart on Road Flanked by Inn and Windmill

    Thomas Richard Colman Dibdin

    ΔE 2.5 · very close

    16% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.3 · very close

    25% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.2 · close

    29% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.6 · very close

    26% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.7 · close

    31% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 4.2 · very close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.7 · close

    30% of canvas

  • Miniature Pyxis (Container for Personal Objects) by Ancient Greek, 300-270 BCE

    Miniature Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 2.9 · very close

    16% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 5.5 · close

    29% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.4 · very close

    23% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 2.8 · very close

    15% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 4.6 · very close

    23% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 5.3 · close

    26% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 3.6 · very close

    18% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 4.1 · very close

    20% of canvas

  • Landscape by Jean Charles Cazin, c. 1895

    Landscape

    Jean Charles Cazin

    ΔE 3.5 · very close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.9 · close

    29% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 6.9 · close

    34% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 6.0 · close

    29% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.1 · very close

    14% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 2.9 · very close

    13% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 5.2 · close

    24% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.8 · close

    41% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 3.5 · very close

    14% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 5.3 · close

    23% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 3.8 · very close

    15% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 7.3 · close

    33% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 3.7 · very close

    14% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 3.7 · very close

    14% of canvas

  • Fragments by Chancay, 1000-1476

    Fragments

    Chancay

    ΔE 3.7 · very close

    13% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.7 · close

    33% of canvas

What ΔE means, and what this does not measure