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#876951

Ranked by perceptual distance

Works near #876951

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 2.3 · very close

    33% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.1 · close

    57% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 3.7 · very close

    35% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 3.1 · very close

    29% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.6 · loosely related

    91% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 0.5 · near-exact

    13% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.0 · very close

    31% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 7.7 · close

    49% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 6.4 · close

    43% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 7.7 · close

    49% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 5.8 · close

    39% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 2.9 · very close

    23% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.3 · close

    45% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 7.6 · close

    43% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 4.5 · very close

    27% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.2 · close

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.4 · very close

    25% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 5.2 · close

    29% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.1 · very close

    23% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.8 · close

    31% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 2.9 · very close

    17% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.8 · close

    31% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 6.1 · close

    32% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 2.3 · very close

    13% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 3.2 · very close

    17% of canvas

  • Kantharos (Wine Cup) by Kantharos Group, about 300 BCE

    Kantharos (Wine Cup)

    Kantharos Group

    ΔE 0.8 · near-exact

    5% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 5.1 · close

    26% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.2 · close

    41% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 6.0 · close

    30% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 3.3 · very close

    16% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.9 · close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.9 · close

    29% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.1 · close

    30% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 6.5 · close

    31% of canvas

  • Figurine of a Man by Ancient Greek, 4th-3rd century BCE

    Figurine of a Man

    Ancient Greek

    ΔE 1.2 · near-exact

    5% of canvas

  • Three Medals Depicting Lincoln by Artist unknown, 1865–94

    Three Medals Depicting Lincoln

    Artist unknown

    ΔE 2.9 · very close

    13% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.1 · close

    33% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 8.6 · close

    41% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 5.1 · close

    23% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 3.7 · very close

    16% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.4 · close

    24% of canvas

  • Hand Mirror by Ancient Egyptian, New Kingdom, Dynasty 18 (about 1550–1295 BCE)

    Hand Mirror

    Ancient Egyptian

    ΔE 2.4 · very close

    9% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 4.7 · very close

    20% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 2.5 · very close

    9% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.8 · very close

    20% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.3 · close

    38% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.2 · very close

    16% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.1 · close

    26% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 5.3 · close

    22% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.6 · very close

    13% of canvas

  • Landscape with Figures Binding Wheat in Foreground by Ercole Bazzicaluva, n.d.

    Landscape with Figures Binding Wheat in Foreground

    Ercole Bazzicaluva

    ΔE 5.8 · close

    24% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 8.0 · close

    34% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 6.8 · close

    28% of canvas

  • Psyche Presenting the Phial of Water to Venus by Raphael, 18th century

    Psyche Presenting the Phial of Water to Venus

    Raphael

    ΔE 3.4 · very close

    11% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.0 · very close

    14% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, 640-625 BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 3.0 · very close

    9% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.4 · close

    31% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 2.8 · very close

    8% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 4.4 · very close

    15% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 9.0 · close

    38% of canvas

What ΔE means, and what this does not measure