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#87765c

Ranked by perceptual distance

Works near #87765c

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 12.4 · loosely related

    91% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 2.1 · very close

    38% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 1.6 · near-exact

    34% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 6.7 · close

    57% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 2.1 · very close

    30% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 6.1 · close

    49% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 4.9 · very close

    43% of canvas

  • Psyche Presenting the Phial of Water to Venus by Raphael, 18th century

    Psyche Presenting the Phial of Water to Venus

    Raphael

    ΔE 4.7 · very close

    40% of canvas

  • Lioness Roaring by Frederik William Zurcher, n.d.

    Lioness Roaring

    Frederik William Zurcher

    ΔE 2.9 · very close

    31% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 3.4 · very close

    33% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 2.3 · very close

    26% of canvas

  • Battle of Sea-Gods, Left Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of Sea-Gods, Left Half of a Frieze

    Andrea Mantegna

    ΔE 2.7 · very close

    27% of canvas

  • Four Women Dancing by Andrea Mantegna, c. 1497

    Four Women Dancing

    Andrea Mantegna

    ΔE 1.0 · near-exact

    18% of canvas

  • Rye Gate, Winchelsea, Kent by Unknown artist, n.d.

    Rye Gate, Winchelsea, Kent

    Unknown artist

    ΔE 2.4 · very close

    25% of canvas

  • The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790 by Katsukawa Shun'ei, c. 1790

    The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790

    Katsukawa Shun'ei

    ΔE 7.0 · close

    48% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 6.4 · close

    45% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 6.3 · close

    43% of canvas

  • Panel (Dress Fabric) by France, 1718/20

    Panel (Dress Fabric)

    France

    ΔE 2.2 · very close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.9 · very close

    25% of canvas

  • Woman Carrying Water Jar by Raphael, 17th century

    Woman Carrying Water Jar

    Raphael

    ΔE 5.1 · close

    35% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.3 · close

    41% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 3.4 · very close

    27% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.7 · very close

    22% of canvas

  • Young Woman on Galloping Horse by Johann August Rossmassler, n.d.

    Young Woman on Galloping Horse

    Johann August Rossmassler

    ΔE 6.2 · close

    39% of canvas

  • The Third Tournament, with Knights Breaking Lances by Lucas Cranach the Elder, 1509

    The Third Tournament, with Knights Breaking Lances

    Lucas Cranach the Elder

    ΔE 3.2 · very close

    24% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 3.0 · very close

    22% of canvas

  • Cavalry Going Into Battle by James Stuart, 1813

    Cavalry Going Into Battle

    James Stuart

    ΔE 2.0 · near-exact

    17% of canvas

  • Miracle of the Loaves and Fishes by Tintoretto, n.d.

    Miracle of the Loaves and Fishes

    Tintoretto

    ΔE 4.5 · very close

    29% of canvas

  • The Senators, from Triumph of Caesar by Andrea Mantegna, c. 1495

    The Senators, from Triumph of Caesar

    Andrea Mantegna

    ΔE 2.0 · very close

    16% of canvas

  • Saint Christopher by Lucas Cranach the Elder, c. 1509

    Saint Christopher

    Lucas Cranach the Elder

    ΔE 4.7 · very close

    29% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.0 · near-exact

    16% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 7.4 · close

    43% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 7.0 · close

    41% of canvas

  • Border Fragment by Egypt, Fatimid period (969–1171)

    Border Fragment

    Egypt

    ΔE 2.8 · very close

    20% of canvas

  • Fragment by France, Lyon, 1775/1800

    Fragment

    France, Lyon

    ΔE 4.4 · very close

    27% of canvas

  • The Inferno According to Dante, from the Campo Santo Frescos in Pisa by Baccio Baldini, 1480/1500

    The Inferno According to Dante, from the Campo Santo Frescos in Pisa

    Baccio Baldini

    ΔE 3.7 · very close

    23% of canvas

  • Moses and the Brazen Serpent by François Verdier, n.d.

    Moses and the Brazen Serpent

    François Verdier

    ΔE 4.7 · very close

    28% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 13.2 · loosely related

    71% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.9 · very close

    29% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 7.3 · close

    41% of canvas

  • Head of a Youth by Ancient Greek, 3rd-2nd century BCE

    Head of a Youth

    Ancient Greek

    ΔE 0.4 · near-exact

    6% of canvas

  • Judith with the Head of Holofernes by Giovanni Antonio da Brescia, c. 1497

    Judith with the Head of Holofernes

    Giovanni Antonio da Brescia

    ΔE 2.7 · very close

    18% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 4.1 · very close

    24% of canvas

  • The Cobbler by A. Faslin[k], 19th century

    The Cobbler

    A. Faslin[k]

    ΔE 5.4 · close

    30% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 2.2 · very close

    15% of canvas

  • Landscape with Figures Binding Wheat in Foreground by Ercole Bazzicaluva, n.d.

    Landscape with Figures Binding Wheat in Foreground

    Ercole Bazzicaluva

    ΔE 4.0 · very close

    24% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 4.1 · very close

    24% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 6.1 · close

    34% of canvas

  • Les Trois Graces (The Three Graces) by Jean François Janinet, 1786

    Les Trois Graces (The Three Graces)

    Jean François Janinet

    ΔE 2.5 · very close

    16% of canvas

  • Battle of the Sea Gods: Right Half of a Frieze by Andrea Mantegna, 1470/1500

    Battle of the Sea Gods: Right Half of a Frieze

    Andrea Mantegna

    ΔE 3.7 · very close

    22% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 5.9 · close

    33% of canvas

  • The Children's Bath by Israhel van Meckenem, the younger, 1480/90

    The Children's Bath

    Israhel van Meckenem, the younger

    ΔE 4.7 · very close

    27% of canvas

  • The Penitence of Saint John Chrysostom by Lucas Cranach the Elder, 1509

    The Penitence of Saint John Chrysostom

    Lucas Cranach the Elder

    ΔE 3.4 · very close

    20% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 5.0 · close

    28% of canvas

  • Head of a Woman Wearing Wreath by Ancient Greek, 3rd-1st century BCE

    Head of a Woman Wearing Wreath

    Ancient Greek

    ΔE 1.1 · near-exact

    8% of canvas

  • Sudarium Displayed by Two Angels by Albrecht Dürer, 1513

    Sudarium Displayed by Two Angels

    Albrecht Dürer

    ΔE 4.9 · very close

    27% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.1 · close

    33% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.6 · close

    30% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 3.8 · very close

    22% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 4.3 · very close

    24% of canvas

What ΔE means, and what this does not measure