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#885849

Ranked by perceptual distance

Works near #885849

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 2.3 · very close

    27% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 3.9 · very close

    34% of canvas

  • Border by France, c. 1810

    Border

    France

    ΔE 0.1 · near-exact

    12% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 4.5 · very close

    31% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 4.5 · very close

    31% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 12.2 · loosely related

    68% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 8.7 · close

    49% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 4.7 · very close

    27% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 6.5 · close

    35% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.9 · very close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.9 · close

    37% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 3.3 · very close

    19% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 4.1 · very close

    23% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 9.3 · close

    49% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 3.8 · very close

    21% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.5 · very close

    23% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 4.5 · very close

    23% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 9.6 · close

    48% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 4.2 · very close

    21% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 6.6 · close

    33% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.3 · close

    25% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 9.3 · close

    45% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 3.8 · very close

    16% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 4.3 · very close

    18% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 7.3 · close

    34% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.3 · close

    33% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 4.8 · very close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.3 · close

    22% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 4.4 · very close

    17% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 7.7 · close

    33% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 6.5 · close

    27% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 9.1 · close

    39% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.3 · close

    26% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.9 · very close

    13% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 4.0 · very close

    14% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.2 · close

    30% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 2.2 · very close

    4% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.7 · close

    24% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 3.5 · very close

    8% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 4.1 · very close

    11% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 3.4 · very close

    7% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 5.8 · close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.5 · close

    16% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 5.5 · close

    16% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 20.6 · loosely related

    91% of canvas

  • La Poule by George Cruikshank, published June 4, 1817

    La Poule

    George Cruikshank

    ΔE 5.3 · close

    14% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 7.5 · close

    25% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 4.1 · very close

    8% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.1 · close

    27% of canvas

  • Necklace with Pendant by Ancient Roman, 2nd-3rd century

    Necklace with Pendant

    Ancient Roman

    ΔE 20.0 · loosely related

    86% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 8.8 · close

    29% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.6 · close

    24% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 7.3 · close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.0 · close

    20% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 6.1 · close

    16% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 6.7 · close

    19% of canvas

  • Column Krater (Mixing Bowl) by Ancient Greek, 460-450 BCE

    Column Krater (Mixing Bowl)

    Ancient Greek

    ΔE 5.5 · close

    12% of canvas

  • Fragment by Spain, 1601/25

    Fragment

    Spain

    ΔE 7.7 · close

    23% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.0 · close

    19% of canvas

  • Fragment by Italy, 1775/1800

    Fragment

    Italy

    ΔE 6.3 · close

    16% of canvas

What ΔE means, and what this does not measure