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#8c633b

Ranked by perceptual distance

Works near #8c633b

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 2.5 · very close

    43% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 1.3 · near-exact

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 1.0 · near-exact

    31% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 1.7 · near-exact

    33% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 3.9 · very close

    39% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 7.7 · close

    57% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 3.6 · very close

    35% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 2.6 · very close

    30% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.5 · very close

    38% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.1 · very close

    30% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 3.3 · very close

    31% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.2 · very close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 3.6 · very close

    31% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 1.6 · near-exact

    20% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 6.2 · close

    43% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.0 · close

    45% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 7.8 · close

    49% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.8 · very close

    32% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 4.3 · very close

    29% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 4.3 · very close

    28% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 4.4 · very close

    28% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 1.8 · near-exact

    14% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.2 · close

    31% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 0.1 · near-exact

    5% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 7.3 · close

    41% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.3 · close

    30% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 5.6 · close

    31% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 5.9 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.5 · very close

    20% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 6.3 · close

    33% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 4.4 · very close

    23% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 4.5 · very close

    23% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.9 · very close

    25% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 9.6 · close

    48% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 3.5 · very close

    17% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 4.1 · very close

    20% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.4 · close

    41% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 5.4 · close

    26% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.7 · very close

    22% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 5.4 · close

    26% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 4.2 · very close

    20% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.8 · close

    37% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.5 · close

    25% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 7.2 · close

    33% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 5.3 · close

    23% of canvas

  • Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.2 · very close

    12% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.7 · close

    24% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 3.0 · very close

    11% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.8 · very close

    14% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 2.2 · very close

    6% of canvas

  • Epitaph of Charles Sackville by Giovanni Battista Pittoni, the younger, n.d.

    Epitaph of Charles Sackville

    Giovanni Battista Pittoni, the younger

    ΔE 2.8 · very close

    9% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 4.5 · very close

    17% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.4 · very close

    16% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 4.9 · very close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.0 · close

    30% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 4.1 · very close

    14% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 4.9 · very close

    18% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 3.9 · very close

    13% of canvas

  • Persons by Charles George Lewis, n.d.

    Persons

    Charles George Lewis

    ΔE 3.2 · very close

    9% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 9.7 · close

    41% of canvas

What ΔE means, and what this does not measure