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#8c6952

Ranked by perceptual distance

Works near #8c6952

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 3.3 · very close

    33% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 4.8 · very close

    39% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.8 · close

    57% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 4.8 · very close

    35% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 16.4 · loosely related

    91% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 6.8 · close

    43% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.0 · close

    31% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.6 · very close

    24% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.5 · close

    49% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 2.2 · very close

    17% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 2.1 · very close

    16% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 4.7 · very close

    29% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 8.1 · close

    45% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 5.5 · close

    31% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 9.3 · close

    49% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 8.2 · close

    43% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.1 · very close

    22% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.0 · close

    37% of canvas

  • Statuette of a Tree Trunk by Ancient Greek, 4th-3rd century BCE ?

    Statuette of a Tree Trunk

    Ancient Greek

    ΔE 0.3 · near-exact

    3% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 2.6 · very close

    13% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.2 · close

    31% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.1 · close

    25% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.7 · close

    43% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.3 · very close

    20% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 6.2 · close

    30% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 6.7 · close

    32% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 3.5 · very close

    16% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 4.9 · very close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.4 · close

    30% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 2.2 · very close

    9% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.0 · close

    23% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 9.0 · close

    43% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 3.8 · very close

    17% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.2 · close

    33% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.5 · very close

    20% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.9 · close

    41% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.1 · very close

    12% of canvas

  • Torso of a Child by Ancient Greek, 2nd-1st century BCE

    Torso of a Child

    Ancient Greek

    ΔE 2.3 · very close

    8% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.3 · close

    27% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 2.5 · very close

    8% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 5.0 · close

    20% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.2 · close

    31% of canvas

  • Three Medals Depicting Lincoln by Artist unknown, 1865–94

    Three Medals Depicting Lincoln

    Artist unknown

    ΔE 3.6 · very close

    13% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.2 · close

    30% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 5.2 · close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.3 · close

    25% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 4.8 · very close

    17% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.2 · close

    34% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 9.6 · close

    41% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.8 · very close

    16% of canvas

  • Statuette of a Siren by Ancient Greek, 3rd-1st century BCE

    Statuette of a Siren

    Ancient Greek

    ΔE 3.1 · very close

    8% of canvas

  • Statuette of a Monkey by Ancient Greek, about 2nd-1st century BCE

    Statuette of a Monkey

    Ancient Greek

    ΔE 2.2 · very close

    4% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.9 · close

    27% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.2 · close

    33% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 7.3 · close

    29% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 5.1 · close

    17% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 7.9 · close

    31% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, 640-625 BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 3.5 · very close

    9% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 8.2 · close

    32% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 6.4 · close

    23% of canvas

What ΔE means, and what this does not measure