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#8d583d

Ranked by perceptual distance

Works near #8d583d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 3.5 · very close

    33% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 3.5 · very close

    33% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 0.2 · near-exact

    17% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.3 · very close

    37% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 2.0 · very close

    25% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 1.7 · near-exact

    23% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.1 · very close

    22% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 3.0 · very close

    27% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 1.8 · near-exact

    19% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 5.9 · close

    39% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 7.7 · close

    48% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.1 · close

    49% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 3.0 · very close

    23% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 3.3 · very close

    23% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 5.1 · close

    31% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 2.2 · very close

    16% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 6.1 · close

    35% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 5.8 · close

    34% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 2.5 · very close

    17% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 5.8 · close

    34% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 4.7 · very close

    27% of canvas

  • Fragment by Italy, 1775/1800

    Fragment

    Italy

    ΔE 2.7 · very close

    16% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 6.1 · close

    31% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.8 · close

    30% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 4.0 · very close

    21% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 3.6 · very close

    18% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.1 · very close

    20% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.0 · very close

    24% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 4.4 · very close

    21% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 14.1 · loosely related

    68% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 3.3 · very close

    14% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.5 · very close

    19% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.1 · close

    27% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 10.4 · close

    49% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 3.5 · very close

    14% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 9.3 · close

    43% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 5.3 · close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.0 · close

    26% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 4.7 · very close

    19% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.8 · close

    33% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 6.3 · close

    25% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 6.6 · close

    25% of canvas

  • The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789 by Katsukawa Shunkо̄, c. 1789

    The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789

    Katsukawa Shunkо̄

    ΔE 3.1 · very close

    8% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 6.9 · close

    26% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.6 · very close

    9% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.9 · close

    31% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 5.1 · close

    17% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 4.2 · very close

    12% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 8.3 · close

    32% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 4.9 · very close

    15% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 7.2 · close

    25% of canvas

  • Pyxis (Container for Personal Objects) by Euaion Painter, 450-440 BCE

    Pyxis (Container for Personal Objects)

    Euaion Painter

    ΔE 4.0 · very close

    9% of canvas

  • Border by France, c. 1810

    Border

    France

    ΔE 4.5 · very close

    12% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 5.6 · close

    17% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 4.9 · very close

    13% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 5.0 · close

    14% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 8.5 · close

    31% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 13.7 · loosely related

    57% of canvas

  • Oinochoe (Pitcher) by Ancient Greek, end of 4th century BCE

    Oinochoe (Pitcher)

    Ancient Greek

    ΔE 3.1 · very close

    4% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 10.2 · close

    39% of canvas

What ΔE means, and what this does not measure