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#8e5e42

Ranked by perceptual distance

Works near #8e5e42

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Shawl by Inca

    Shawl

    Inca

    ΔE 0.3 · near-exact

    25% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 3.9 · very close

    39% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.0 · very close

    37% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 0.8 · near-exact

    17% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.1 · very close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.5 · very close

    22% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 7.8 · close

    49% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 4.7 · very close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.2 · very close

    20% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 3.0 · very close

    24% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 7.4 · close

    43% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.5 · very close

    23% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 8.6 · close

    48% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 2.5 · very close

    17% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.5 · close

    31% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 3.7 · very close

    22% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.2 · very close

    24% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.2 · close

    33% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 6.6 · close

    35% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 4.1 · very close

    23% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 4.9 · very close

    27% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 3.0 · very close

    17% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 5.7 · close

    30% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.2 · close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.8 · close

    30% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.1 · close

    31% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 3.7 · very close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 3.2 · very close

    16% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 5.3 · close

    26% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 6.6 · close

    32% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 11.5 · close

    57% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 4.7 · very close

    23% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.7 · close

    31% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 7.4 · close

    34% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 3.7 · very close

    15% of canvas

  • Fragment by Italy, 1775/1800

    Fragment

    Italy

    ΔE 3.9 · very close

    16% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 7.1 · close

    31% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 7.0 · close

    31% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 4.9 · very close

    20% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 2.5 · very close

    8% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.4 · close

    27% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 7.6 · close

    33% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.5 · very close

    17% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.8 · close

    38% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 4.0 · very close

    14% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.2 · very close

    9% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.6 · very close

    16% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 5.1 · close

    18% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 4.2 · very close

    14% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 3.9 · very close

    12% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.5 · close

    30% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 5.3 · close

    19% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 5.7 · close

    20% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.7 · close

    30% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 10.8 · close

    45% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 10.4 · close

    43% of canvas

  • Fragment (Border) by Nasca, 100 BCE-200 CE

    Fragment (Border)

    Nasca

    ΔE 5.0 · very close

    16% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 8.3 · close

    33% of canvas

  • Panel by Iran, 18th century

    Panel

    Iran

    ΔE 4.5 · very close

    13% of canvas

  • Fragment by France, 1750/75

    Fragment

    France

    ΔE 3.5 · very close

    8% of canvas

What ΔE means, and what this does not measure