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#916444

Ranked by perceptual distance

Works near #916444

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 1.7 · near-exact

    39% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 4.9 · very close

    43% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.3 · very close

    24% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.8 · close

    57% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.8 · very close

    37% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.2 · very close

    33% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.9 · very close

    31% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 4.8 · very close

    35% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 2.9 · very close

    25% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 4.6 · very close

    32% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.2 · very close

    20% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.4 · very close

    31% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 2.5 · very close

    20% of canvas

  • Trumpet with Feline Face by Moche, 350–850 CE

    Trumpet with Feline Face

    Moche

    ΔE 0.2 · near-exact

    8% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.4 · close

    49% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.2 · close

    43% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 3.4 · very close

    22% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.6 · close

    33% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 2.3 · very close

    17% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 8.1 · close

    45% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 7.7 · close

    43% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 5.7 · close

    33% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 2.6 · very close

    17% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 3.3 · very close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 5.5 · close

    31% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.6 · very close

    24% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 5.5 · close

    29% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 6.4 · close

    33% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.3 · close

    27% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.8 · close

    30% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 6.1 · close

    30% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.7 · close

    38% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.3 · close

    30% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 3.4 · very close

    15% of canvas

  • Minature Handled Bowl with Textile-like Design by Inca, 1450–1532

    Minature Handled Bowl with Textile-like Design

    Inca

    ΔE 3.1 · very close

    14% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.2 · close

    34% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 6.8 · close

    31% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 10.1 · close

    48% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.7 · close

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 7.3 · close

    32% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.3 · very close

    17% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 3.3 · very close

    12% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.2 · close

    41% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 3.8 · very close

    14% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.0 · close

    30% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 9.3 · close

    41% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.5 · very close

    16% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 4.4 · very close

    15% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 4.7 · very close

    17% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 19.6 · loosely related

    91% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 4.3 · very close

    14% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 4.8 · very close

    17% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 5.9 · close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.0 · close

    23% of canvas

  • Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.1 · very close

    12% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 7.8 · close

    31% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 2.8 · very close

    6% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 6.2 · close

    23% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 6.2 · close

    23% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 8.1 · close

    33% of canvas

What ΔE means, and what this does not measure