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#945344

Ranked by perceptual distance

Works near #945344

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 0.1 · near-exact

    34% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 5.2 · close

    49% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 2.0 · very close

    31% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.9 · very close

    36% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 10.6 · close

    68% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 1.7 · near-exact

    23% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 2.7 · very close

    27% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 1.9 · near-exact

    21% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 5.4 · close

    34% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 1.6 · near-exact

    13% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.2 · very close

    23% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 4.7 · very close

    25% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 5.9 · close

    30% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 2.8 · very close

    14% of canvas

  • Fragment by Italy, Mid–17th century

    Fragment

    Italy

    ΔE 9.0 · close

    45% of canvas

  • Fragment by Peru, south coast, Possibly Nazca Valley

    Fragment

    Peru, south coast, Possibly Nazca Valley

    ΔE 5.8 · close

    27% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 4.1 · very close

    19% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 4.6 · very close

    21% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 6.1 · close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 9.4 · close

    43% of canvas

  • Panel by France, 1725/50

    Panel

    France

    ΔE 4.1 · very close

    16% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 4.3 · very close

    16% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 5.5 · close

    21% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.8 · very close

    16% of canvas

  • Border by France, c. 1810

    Border

    France

    ΔE 4.1 · very close

    12% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 6.3 · close

    23% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 8.2 · close

    31% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 11.6 · close

    48% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 7.6 · close

    27% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 7.1 · close

    25% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.9 · close

    33% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 5.1 · close

    14% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 9.5 · close

    35% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 5.7 · close

    17% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 6.9 · close

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.8 · very close

    12% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 6.9 · close

    22% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.0 · close

    27% of canvas

  • Fragment (Border) by Nasca, possibly 500-600

    Fragment (Border)

    Nasca

    ΔE 11.2 · close

    43% of canvas

  • Panel (From Woman's Trousers) by Iran, 19th century

    Panel (From Woman's Trousers)

    Iran

    ΔE 4.2 · very close

    8% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 12.4 · loosely related

    49% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 10.6 · close

    39% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.4 · close

    24% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 6.4 · close

    18% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.1 · close

    21% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.8 · close

    19% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 8.1 · close

    26% of canvas

  • The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790 by Katsukawa Shun'ei, c. 1790

    The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790

    Katsukawa Shun'ei

    ΔE 3.9 · very close

    3% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 4.1 · very close

    4% of canvas

  • Rural Sports, or How to Show Off a Well-shaped Leg by Thomas Rowlandson, published October 1811

    Rural Sports, or How to Show Off a Well-shaped Leg

    Thomas Rowlandson

    ΔE 4.4 · very close

    5% of canvas

  • Fragment by Italy, 1501-1550

    Fragment

    Italy

    ΔE 9.0 · close

    28% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 10.1 · close

    33% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 8.6 · close

    25% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.8 · close

    26% of canvas

  • Tea Bowl by China, c. 1750

    Tea Bowl

    China

    ΔE 4.6 · very close

    4% of canvas

  • Panel by France, 1750/75

    Panel

    France

    ΔE 8.1 · close

    22% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 8.7 · close

    24% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 5.7 · close

    10% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.7 · close

    24% of canvas

  • La Poule by George Cruikshank, published June 4, 1817

    La Poule

    George Cruikshank

    ΔE 6.7 · close

    14% of canvas

What ΔE means, and what this does not measure