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#947953

Ranked by perceptual distance

Works near #947953

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 2.0 · very close

    57% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 1.4 · near-exact

    41% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.2 · very close

    45% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 1.2 · near-exact

    33% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 3.2 · very close

    43% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.4 · very close

    43% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 3.3 · very close

    41% of canvas

  • Teetertotter in Church Building by Unknown artist, n.d.

    Teetertotter in Church Building

    Unknown artist

    ΔE 1.2 · near-exact

    25% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 10.7 · close

    71% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 5.9 · close

    47% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 1.8 · near-exact

    25% of canvas

  • Descent Into Limbo by Style of Domenico Maria Canuti, n.d.

    Descent Into Limbo

    Style of Domenico Maria Canuti

    ΔE 0.6 · near-exact

    18% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 3.7 · very close

    34% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 2.2 · very close

    26% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 1.3 · near-exact

    22% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 4.9 · very close

    38% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 2.0 · near-exact

    24% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 4.1 · very close

    33% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 6.2 · close

    43% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 4.2 · very close

    33% of canvas

  • Young Woman on Galloping Horse by Johann August Rossmassler, n.d.

    Young Woman on Galloping Horse

    Johann August Rossmassler

    ΔE 5.5 · close

    39% of canvas

  • Triumph of Amphitrite by François Verdier, n.d.

    Triumph of Amphitrite

    François Verdier

    ΔE 2.9 · very close

    26% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.8 · very close

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 1.3 · near-exact

    17% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 9.3 · close

    56% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 9.7 · close

    58% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 3.7 · very close

    28% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 5.1 · close

    35% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 16.3 · loosely related

    91% of canvas

  • The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778 by Katsukawa Shunsho, c. 1778

    The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778

    Katsukawa Shunsho

    ΔE 2.0 · very close

    19% of canvas

  • Handled Brownware Jug with Bird Impressed on Side by Chimú, 1000–1400

    Handled Brownware Jug with Bird Impressed on Side

    Chimú

    ΔE 2.3 · very close

    20% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 6.9 · close

    43% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.5 · very close

    26% of canvas

  • Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.4 · near-exact

    15% of canvas

  • Man Kneeling Before Veiled Woman with Mosque in Background by Johann August Rossmassler, n.d.

    Man Kneeling Before Veiled Woman with Mosque in Background

    Johann August Rossmassler

    ΔE 5.1 · close

    33% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 4.3 · very close

    28% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 5.7 · close

    35% of canvas

  • The First Ten Minutes, plate two from The Leicestershire Hunt by John Dean Paul, published 1825

    The First Ten Minutes, plate two from The Leicestershire Hunt

    John Dean Paul

    ΔE 0.6 · near-exact

    9% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 5.6 · close

    34% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 9.5 · close

    53% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 4.1 · very close

    26% of canvas

  • Portrait of Napoleon III (1808–1873), Emperor by Marc-Laurent Bruyas, 19th century

    Portrait of Napoleon III (1808–1873), Emperor

    Marc-Laurent Bruyas

    ΔE 5.4 · close

    32% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 12.9 · loosely related

    69% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 7.4 · close

    41% of canvas

  • The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790 by Katsukawa Shun'ei, c. 1790

    The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790

    Katsukawa Shun'ei

    ΔE 8.8 · close

    48% of canvas

  • Fragment by Italy, 1775/1800

    Fragment

    Italy

    ΔE 2.3 · very close

    16% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 3.4 · very close

    21% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 5.3 · close

    30% of canvas

  • Fragment by Egypt, possibly Akhmin, 5th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.6 · very close

    16% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 4.6 · very close

    26% of canvas

  • Tassels by Nasca, 500-900

    Tassels

    Nasca

    ΔE 0.3 · near-exact

    5% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 4.2 · very close

    24% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 4.9 · very close

    27% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.2 · very close

    24% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 6.1 · close

    33% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 3.9 · very close

    22% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 10.8 · close

    56% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 7.1 · close

    37% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 7.3 · close

    38% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 2.6 · very close

    14% of canvas

What ΔE means, and what this does not measure