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#976c51

Ranked by perceptual distance

Works near #976c51

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 3.2 · very close

    39% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.1 · close

    57% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.2 · very close

    24% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.1 · close

    43% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 0.1 · near-exact

    12% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 2.4 · very close

    22% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 6.5 · close

    43% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.4 · close

    37% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 2.0 · very close

    20% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 4.7 · very close

    33% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.5 · close

    45% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 5.5 · close

    35% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 4.5 · very close

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 5.4 · close

    32% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 7.5 · close

    43% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.7 · very close

    27% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 3.2 · very close

    20% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 17.9 · loosely related

    91% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.9 · close

    31% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.1 · close

    27% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 8.5 · close

    44% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.2 · close

    41% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.2 · close

    31% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.8 · close

    33% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 8.7 · close

    43% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.3 · close

    25% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.9 · close

    32% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 3.8 · very close

    17% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 6.9 · close

    32% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 6.2 · close

    29% of canvas

  • Minature Handled Bowl with Textile-like Design by Inca, 1450–1532

    Minature Handled Bowl with Textile-like Design

    Inca

    ΔE 3.4 · very close

    14% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.8 · close

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.9 · close

    26% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 4.2 · very close

    17% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 4.0 · very close

    15% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 5.1 · close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 7.2 · close

    31% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.2 · close

    20% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 10.9 · close

    49% of canvas

  • Fragmentary Figurine of a Monkey by Ancient Greek, 3rd-1st century BCE

    Fragmentary Figurine of a Monkey

    Ancient Greek

    ΔE 1.9 · near-exact

    3% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 3.0 · very close

    9% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 9.3 · close

    41% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 4.7 · very close

    17% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 4.5 · very close

    16% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.8 · very close

    17% of canvas

  • Mastoid (Drinking Cup) with Handles by Ancient Greek, 500-480 BCE

    Mastoid (Drinking Cup) with Handles

    Ancient Greek

    ΔE 2.4 · very close

    5% of canvas

  • The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse by Unknown Artist, 1465–70

    The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse

    Unknown Artist

    ΔE 2.9 · very close

    8% of canvas

  • Statuette of a Woman by Ancient Greek, 5th-4th century BCE

    Statuette of a Woman

    Ancient Greek

    ΔE 2.5 · very close

    5% of canvas

  • Fragment by France, 1750/1800

    Fragment

    France

    ΔE 2.0 · near-exact

    2% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 6.2 · close

    23% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 5.4 · close

    18% of canvas

  • Fragment by Italy, 1601/25

    Fragment

    Italy

    ΔE 3.6 · very close

    9% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 4.1 · very close

    11% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 4.8 · very close

    15% of canvas

  • Torso of a Child by Ancient Greek, 2nd-1st century BCE

    Torso of a Child

    Ancient Greek

    ΔE 3.3 · very close

    8% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 6.3 · close

    22% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 4.2 · very close

    12% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 5.1 · close

    17% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 11.7 · close

    49% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 8.6 · close

    33% of canvas

What ΔE means, and what this does not measure