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#9a5129

Ranked by perceptual distance

Works near #9a5129

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 3.2 · very close

    33% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 2.8 · very close

    27% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 2.9 · very close

    25% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.6 · close

    37% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.7 · close

    33% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 5.7 · close

    34% of canvas

  • Drinking Vessel in the Form of a Head by Inca, 1450–1532

    Drinking Vessel in the Form of a Head

    Inca

    ΔE 0.1 · near-exact

    4% of canvas

  • Fragments (Border) by Nasca, 100 BCE-200 CE

    Fragments (Border)

    Nasca

    ΔE 1.8 · near-exact

    12% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.9 · close

    39% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 8.6 · close

    43% of canvas

  • Fragment (Border) by Nasca, possibly 500-600

    Fragment (Border)

    Nasca

    ΔE 8.6 · close

    43% of canvas

  • Pyxis (Container for Personal Objects) by Euaion Painter, 450-440 BCE

    Pyxis (Container for Personal Objects)

    Euaion Painter

    ΔE 1.9 · near-exact

    9% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 9.8 · close

    48% of canvas

  • Beaker by England, Staffordshire, c. 1695

    Beaker

    England, Staffordshire

    ΔE 5.3 · close

    25% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 4.9 · very close

    22% of canvas

  • The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789 by Katsukawa Shunkо̄, c. 1789

    The Actor Matsumoto Koshiro IV as An no Heibei in the Play Edo no Fuji Wakayagi Soga, Performed at the Nakamura Theater in the First Month, 1789

    Katsukawa Shunkо̄

    ΔE 2.3 · very close

    8% of canvas

  • Border by Italy, 15th century

    Border

    Italy

    ΔE 6.9 · close

    31% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.3 · close

    23% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 6.3 · close

    25% of canvas

  • Fragment by Spain, Early 17th century

    Fragment

    Spain

    ΔE 11.1 · close

    49% of canvas

  • Fragment by Spain, 17th century

    Fragment

    Spain

    ΔE 15.0 · loosely related

    68% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 3.8 · very close

    12% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 5.2 · close

    19% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 8.3 · close

    34% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.3 · close

    27% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 11.7 · close

    49% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 5.3 · close

    17% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 6.1 · close

    21% of canvas

  • Miniature Single-Handled Jar with Textile-like Pattern by Inca, 1450–1532

    Miniature Single-Handled Jar with Textile-like Pattern

    Inca

    ΔE 5.9 · close

    19% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.9 · close

    33% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 8.7 · close

    33% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 4.9 · very close

    14% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 6.4 · close

    21% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 7.0 · close

    23% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 6.9 · close

    23% of canvas

  • Fragment by Italy, 1775/1800

    Fragment

    Italy

    ΔE 5.5 · close

    16% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 10.9 · close

    43% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 4.4 · very close

    10% of canvas

  • Panel by Italy, 1450-1500

    Panel

    Italy

    ΔE 8.1 · close

    28% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 4.5 · very close

    9% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 10.5 · close

    39% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 6.1 · close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 5.9 · close

    16% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 5.8 · close

    15% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.7 · close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 8.2 · close

    27% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 10.1 · close

    35% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 5.7 · close

    14% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 9.2 · close

    31% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 6.5 · close

    17% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 4.5 · very close

    7% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 6.1 · close

    14% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 8.2 · close

    24% of canvas

  • Fragments (From a Tunic) by Wari, 600-800

    Fragments (From a Tunic)

    Wari

    ΔE 7.9 · close

    23% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 5.3 · close

    9% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 6.9 · close

    17% of canvas

  • Comb by Spain, c. 1885

    Comb

    Spain

    ΔE 5.0 · very close

    7% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 9.6 · close

    30% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.8 · close

    20% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 10.2 · close

    32% of canvas

What ΔE means, and what this does not measure