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#9c7156

Ranked by perceptual distance

Works near #9c7156

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 7.6 · close

    57% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 0.4 · near-exact

    20% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 4.6 · very close

    39% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.1 · close

    43% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.1 · close

    45% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 4.9 · very close

    32% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 5.1 · close

    33% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 7.4 · close

    43% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 7.3 · close

    43% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 7.5 · close

    43% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 4.4 · very close

    27% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 4.4 · very close

    27% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.0 · very close

    24% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.5 · close

    41% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.6 · close

    37% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 8.0 · close

    44% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 6.3 · close

    35% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 3.9 · very close

    22% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 17.6 · loosely related

    91% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.1 · very close

    12% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.9 · very close

    26% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.4 · close

    27% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 3.8 · very close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.6 · close

    32% of canvas

  • The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse by Unknown Artist, 1465–70

    The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse

    Unknown Artist

    ΔE 1.6 · near-exact

    8% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 4.2 · very close

    20% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 3.7 · very close

    17% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.7 · close

    31% of canvas

  • Border by Italy, Early 17th century

    Border

    Italy

    ΔE 4.3 · very close

    18% of canvas

  • Fragment by Europe, 19th century

    Fragment

    Europe

    ΔE 6.7 · close

    29% of canvas

  • Fragment (From a Chasuble) by Italy, 1601/50

    Fragment (From a Chasuble)

    Italy

    ΔE 2.7 · very close

    9% of canvas

  • Atsuita karaori (Noh Costume) by Japan, late Edo period (1789–1868), 1801/25

    Atsuita karaori (Noh Costume)

    Japan

    ΔE 5.1 · close

    21% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 5.3 · close

    22% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 15.2 · loosely related

    71% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.1 · close

    30% of canvas

  • Fragment by France, 1750/1800

    Fragment

    France

    ΔE 1.6 · near-exact

    2% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 9.3 · close

    41% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 8.0 · close

    34% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.4 · close

    31% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 3.4 · very close

    11% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 4.3 · very close

    15% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.6 · close

    21% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 8.0 · close

    33% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 7.1 · close

    29% of canvas

  • Minature Handled Bowl with Textile-like Design by Inca, 1450–1532

    Minature Handled Bowl with Textile-like Design

    Inca

    ΔE 4.1 · very close

    14% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 4.1 · very close

    13% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 8.1 · close

    32% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 4.8 · very close

    16% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 5.1 · close

    17% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 5.0 · close

    17% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 10.3 · close

    43% of canvas

  • Statuette of a Woman by Ancient Greek, 5th-4th century BCE

    Statuette of a Woman

    Ancient Greek

    ΔE 2.7 · very close

    5% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 4.0 · very close

    11% of canvas

  • Column-Krater (Mixing Bowl) by Ancient Greek, about 450 BCE

    Column-Krater (Mixing Bowl)

    Ancient Greek

    ΔE 4.2 · very close

    12% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 4.6 · very close

    14% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 5.4 · close

    17% of canvas

  • Fragment by Italy or France, 1750/1800

    Fragment

    Italy or France

    ΔE 4.5 · very close

    13% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 5.4 · close

    17% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 6.4 · close

    22% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 8.6 · close

    33% of canvas

What ΔE means, and what this does not measure