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#9d7b5a

Ranked by perceptual distance

Works near #9d7b5a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 4.0 · very close

    57% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 3.9 · very close

    45% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.3 · very close

    41% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 4.5 · very close

    43% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 1.2 · near-exact

    26% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 10.4 · close

    71% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.9 · very close

    43% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 5.4 · close

    43% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 4.0 · very close

    35% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 3.8 · very close

    33% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 2.2 · very close

    24% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 6.9 · close

    47% of canvas

  • Handled Brownware Jug with Bird Impressed on Side by Chimú, 1000–1400

    Handled Brownware Jug with Bird Impressed on Side

    Chimú

    ΔE 1.7 · near-exact

    20% of canvas

  • Snuff Box by Jacob Frisard, Early 19th century

    Snuff Box

    Jacob Frisard

    ΔE 0.2 · near-exact

    11% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 9.3 · close

    56% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 6.2 · close

    41% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 9.7 · close

    58% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 4.8 · very close

    33% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 3.4 · very close

    25% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 16.6 · loosely related

    91% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 9.3 · close

    53% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 12.6 · loosely related

    69% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 2.1 · very close

    17% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 2.5 · very close

    18% of canvas

  • Portrait of Napoleon III (1808–1873), Emperor by Marc-Laurent Bruyas, 19th century

    Portrait of Napoleon III (1808–1873), Emperor

    Marc-Laurent Bruyas

    ΔE 5.4 · close

    32% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 7.6 · close

    43% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 5.7 · close

    33% of canvas

  • Design for an Andiron by Unknown, 18th century

    Design for an Andiron

    Unknown

    ΔE 1.4 · near-exact

    11% of canvas

  • Teetertotter in Church Building by Unknown artist, n.d.

    Teetertotter in Church Building

    Unknown artist

    ΔE 4.1 · very close

    25% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 3.6 · very close

    22% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 4.2 · very close

    24% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 5.9 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.7 · close

    31% of canvas

  • Gian Lodovico Madruzzo by Giovanni Battista Moroni, 1551–52

    Gian Lodovico Madruzzo

    Giovanni Battista Moroni

    ΔE 1.4 · near-exact

    10% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.5 · close

    30% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 3.9 · very close

    22% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 10.7 · close

    56% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 6.5 · close

    35% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.3 · close

    34% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 4.2 · very close

    23% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 7.1 · close

    37% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.2 · very close

    12% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 11.6 · close

    59% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 4.5 · very close

    23% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 9.8 · close

    49% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 7.6 · close

    38% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 7.2 · close

    36% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 3.5 · very close

    17% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 12.8 · loosely related

    64% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.4 · very close

    22% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.7 · close

    28% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.5 · close

    27% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.0 · very close

    14% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 7.5 · close

    36% of canvas

  • Descent Into Limbo by Style of Domenico Maria Canuti, n.d.

    Descent Into Limbo

    Style of Domenico Maria Canuti

    ΔE 4.0 · very close

    18% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 3.9 · very close

    18% of canvas

  • Chasuble (Front) by Italy, 1701/25

    Chasuble (Front)

    Italy

    ΔE 4.5 · very close

    21% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 8.1 · close

    38% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 5.3 · close

    25% of canvas

  • The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778 by Katsukawa Shunsho, c. 1778

    The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778

    Katsukawa Shunsho

    ΔE 4.2 · very close

    19% of canvas

What ΔE means, and what this does not measure