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#9f613b

Ranked by perceptual distance

Works near #9f613b

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.9 · very close

    37% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 3.5 · very close

    39% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.7 · very close

    43% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.4 · very close

    27% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 1.5 · near-exact

    17% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 1.3 · near-exact

    15% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 0.2 · near-exact

    9% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 1.1 · near-exact

    14% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 1.3 · near-exact

    14% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 5.3 · close

    34% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 7.4 · close

    43% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 3.7 · very close

    23% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.5 · very close

    17% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.3 · close

    31% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 5.8 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 5.7 · close

    32% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.0 · close

    33% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.2 · very close

    24% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.8 · close

    32% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 11.0 · close

    57% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 2.1 · very close

    12% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 4.6 · very close

    25% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 3.7 · very close

    20% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 1.9 · near-exact

    9% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.7 · close

    33% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 6.0 · close

    30% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.6 · very close

    22% of canvas

  • Fragment by Wari, About 600-800 CE

    Fragment

    Wari

    ΔE 1.7 · near-exact

    8% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.1 · close

    39% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 2.6 · very close

    11% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 3.0 · very close

    13% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 9.1 · close

    44% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 3.1 · very close

    14% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 1.3 · near-exact

    4% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 5.9 · close

    27% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.0 · very close

    17% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 2.7 · very close

    10% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 2.5 · very close

    9% of canvas

  • Minature Handled Bowl with Textile-like Design by Inca, 1450–1532

    Minature Handled Bowl with Textile-like Design

    Inca

    ΔE 3.5 · very close

    14% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 7.3 · close

    32% of canvas

  • Pyxis (Container for Personal Objects) by Ancient Greek, late 6th century BCE

    Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 5.4 · close

    22% of canvas

  • Veneration by Eduardus Jacobus, after 1698

    Veneration

    Eduardus Jacobus

    ΔE 2.8 · very close

    9% of canvas

  • The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII by William Blake, 1827, printed c. 1892

    The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII

    William Blake

    ΔE 2.6 · very close

    7% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 9.9 · close

    43% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 10.5 · close

    45% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 8.4 · close

    35% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 2.9 · very close

    7% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.8 · close

    20% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 4.4 · very close

    13% of canvas

  • Pelike (Storage Jar) by Ancient Greek, about 510-500 BCE

    Pelike (Storage Jar)

    Ancient Greek

    ΔE 3.7 · very close

    10% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 5.4 · close

    18% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 5.0 · close

    16% of canvas

  • Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.4 · very close

    12% of canvas

  • Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.8 · very close

    14% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 11.7 · close

    49% of canvas

  • Miya (Mia), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Miya (Mia), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.0 · close

    15% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 11.9 · close

    48% of canvas

  • Portrait of a Man with a Pink by Quentin Massys, 1500–10

    Portrait of a Man with a Pink

    Quentin Massys

    ΔE 5.6 · close

    17% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 5.3 · close

    15% of canvas

  • Ishi yakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Ishi yakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.1 · close

    14% of canvas

What ΔE means, and what this does not measure