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#a08050

Ranked by perceptual distance

Works near #a08050

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 3.7 · very close

    57% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 2.1 · very close

    47% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 8.1 · close

    71% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.3 · very close

    41% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 6.6 · close

    56% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.4 · very close

    45% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 7.2 · close

    58% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 0.2 · near-exact

    22% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 3.3 · very close

    37% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 4.6 · very close

    43% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 6.7 · close

    53% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 3.9 · very close

    38% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 5.0 · very close

    43% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 3.2 · very close

    34% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 1.1 · near-exact

    23% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 3.2 · very close

    33% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 10.4 · close

    69% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 4.9 · very close

    41% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 3.5 · very close

    33% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 5.8 · close

    43% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 5.6 · close

    42% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 8.5 · close

    56% of canvas

  • The Marsh by Charles François Daubigny, 1871

    The Marsh

    Charles François Daubigny

    ΔE 4.4 · very close

    35% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 3.3 · very close

    29% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.8 · very close

    36% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 8.3 · close

    53% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 9.4 · close

    59% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 10.5 · close

    64% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 2.7 · very close

    25% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 5.0 · close

    36% of canvas

  • Rest on the Flight into Egypt by Bartolomeo Biscaino, n.d.

    Rest on the Flight into Egypt

    Bartolomeo Biscaino

    ΔE 2.9 · very close

    25% of canvas

  • Young Woman on Galloping Horse by Johann August Rossmassler, n.d.

    Young Woman on Galloping Horse

    Johann August Rossmassler

    ΔE 6.0 · close

    39% of canvas

  • Man Kneeling Before Veiled Woman with Mosque in Background by Johann August Rossmassler, n.d.

    Man Kneeling Before Veiled Woman with Mosque in Background

    Johann August Rossmassler

    ΔE 4.7 · very close

    33% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 8.6 · close

    50% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 11.2 · close

    63% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 3.9 · very close

    26% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 7.1 · close

    42% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 10.5 · close

    59% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 9.1 · close

    52% of canvas

  • Fragment by Egypt, 4th-6th century

    Fragment

    Egypt

    ΔE 2.2 · very close

    17% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 3.8 · very close

    25% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 4.5 · very close

    28% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 3.3 · very close

    22% of canvas

  • Valance by France, 19th century

    Valance

    France

    ΔE 4.1 · very close

    26% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 1.9 · near-exact

    15% of canvas

  • Fragment by Egypt, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

    Fragment

    Egypt

    ΔE 2.9 · very close

    20% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 4.9 · very close

    30% of canvas

  • Teetertotter in Church Building by Unknown artist, n.d.

    Teetertotter in Church Building

    Unknown artist

    ΔE 4.1 · very close

    25% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 10.9 · close

    58% of canvas

  • Remembrance of Italy by Jean Baptiste Camille Corot, c. 1866

    Remembrance of Italy

    Jean Baptiste Camille Corot

    ΔE 2.9 · very close

    18% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 5.7 · close

    32% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 10.6 · close

    56% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 3.8 · very close

    22% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.1 · very close

    24% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 8.0 · close

    43% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 6.0 · close

    33% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 11.6 · close

    61% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 6.7 · close

    35% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 9.6 · close

    49% of canvas

  • Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.5 · close

    29% of canvas

What ΔE means, and what this does not measure