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#a0886f

Ranked by perceptual distance

Works near #a0886f

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 7.4 · close

    71% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 3.2 · very close

    43% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 4.6 · very close

    49% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 6.9 · close

    58% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 9.2 · close

    69% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 6.9 · close

    56% of canvas

  • Portrait of Napoleon III (1808–1873), Emperor by Marc-Laurent Bruyas, 19th century

    Portrait of Napoleon III (1808–1873), Emperor

    Marc-Laurent Bruyas

    ΔE 2.4 · very close

    32% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 5.6 · close

    47% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 14.4 · loosely related

    91% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 7.4 · close

    56% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 2.1 · very close

    29% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 7.0 · close

    53% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 8.2 · close

    59% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 9.4 · close

    64% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 5.3 · close

    43% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 10.4 · close

    68% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 8.2 · close

    57% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 9.7 · close

    63% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 9.0 · close

    59% of canvas

  • Landscape with Figures Binding Wheat in Foreground by Ercole Bazzicaluva, n.d.

    Landscape with Figures Binding Wheat in Foreground

    Ercole Bazzicaluva

    ΔE 2.2 · very close

    24% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 9.2 · close

    58% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 9.0 · close

    56% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 10.0 · close

    61% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 6.4 · close

    42% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 4.7 · very close

    33% of canvas

  • Kawasaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Kawasaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.0 · near-exact

    19% of canvas

  • Hiratsuka: Ferryboats on the Banyu River (Hiratsuka, Banyugawa watashibune), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Hiratsuka: Ferryboats on the Banyu River (Hiratsuka, Banyugawa watashibune), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 0.1 · near-exact

    10% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 4.0 · very close

    29% of canvas

  • The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790 by Katsukawa Shun'ei, c. 1790

    The Actor Ichikawa Komazo II as Ono Sadakuro in the Play Chuko Ryogoku Ori, Performed at the Nakamura Theater in the Seventh Month, 1790

    Katsukawa Shun'ei

    ΔE 8.1 · close

    48% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 12.0 · loosely related

    68% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 8.0 · close

    47% of canvas

  • Border Fragment by Egypt, Fatimid period (969–1171)

    Border Fragment

    Egypt

    ΔE 4.6 · very close

    29% of canvas

  • Fragment by India, 19th century

    Fragment

    India

    ΔE 4.4 · very close

    28% of canvas

  • The Inferno According to Dante, from the Campo Santo Frescos in Pisa by Baccio Baldini, 1480/1500

    The Inferno According to Dante, from the Campo Santo Frescos in Pisa

    Baccio Baldini

    ΔE 5.0 · very close

    31% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 4.9 · very close

    30% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 5.7 · close

    34% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 5.3 · close

    32% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 9.5 · close

    53% of canvas

  • At Crossington in Leicestershire by F. Smith, c. 1800

    At Crossington in Leicestershire

    F. Smith

    ΔE 4.7 · very close

    29% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.0 · very close

    25% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.2 · close

    41% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 5.6 · close

    33% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 5.5 · close

    33% of canvas

  • Two Figures Resting on Hillside near Two Trees by Franz Kobell, n.d.

    Two Figures Resting on Hillside near Two Trees

    Franz Kobell

    ΔE 3.8 · very close

    24% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 10.6 · close

    58% of canvas

  • Woman Carrying Water Jar by Raphael, 17th century

    Woman Carrying Water Jar

    Raphael

    ΔE 7.4 · close

    41% of canvas

  • Sketches of Head, Hands, Shoulder, and Feet by Style of Agostino Masucci, n.d.

    Sketches of Head, Hands, Shoulder, and Feet

    Style of Agostino Masucci

    ΔE 3.6 · very close

    22% of canvas

  • Valance by France, 19th century

    Valance

    France

    ΔE 4.5 · very close

    26% of canvas

  • Triumph of Caesar: Soldiers Carrying Trophies by Andrea Mantegna, c. 1495

    Triumph of Caesar: Soldiers Carrying Trophies

    Andrea Mantegna

    ΔE 4.1 · very close

    24% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 9.2 · close

    49% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 8.5 · close

    45% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 6.4 · close

    35% of canvas

  • Young Woman on Galloping Horse by Johann August Rossmassler, n.d.

    Young Woman on Galloping Horse

    Johann August Rossmassler

    ΔE 7.3 · close

    39% of canvas

  • Fuchu: View of the Licensed Quarter in Nichomachi (Fuchu, Nichomachi kuruwa no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fuchu: View of the Licensed Quarter in Nichomachi (Fuchu, Nichomachi kuruwa no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.8 · near-exact

    12% of canvas

  • Group of Shepherds and a Ram by Pietro Testa, n.d.

    Group of Shepherds and a Ram

    Pietro Testa

    ΔE 3.3 · very close

    19% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.3 · very close

    14% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 3.2 · very close

    18% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 8.7 · close

    46% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.8 · close

    31% of canvas

  • Border of a Valance by Spain, 18th century

    Border of a Valance

    Spain

    ΔE 3.2 · very close

    18% of canvas

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