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#a17a52

Ranked by perceptual distance

Works near #a17a52

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 3.4 · very close

    57% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 3.5 · very close

    45% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.1 · very close

    41% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 0.1 · near-exact

    24% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.0 · very close

    43% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 2.9 · very close

    35% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 10.5 · close

    71% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 6.0 · close

    47% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 1.2 · near-exact

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.0 · very close

    26% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 3.6 · very close

    33% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 5.5 · close

    41% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 1.6 · near-exact

    21% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 6.2 · close

    43% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 2.1 · very close

    22% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 6.6 · close

    43% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 5.8 · close

    38% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 1.7 · near-exact

    17% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 6.9 · close

    43% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 6.0 · close

    37% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 3.7 · very close

    25% of canvas

  • Handled Brownware Jug with Bird Impressed on Side by Chimú, 1000–1400

    Handled Brownware Jug with Bird Impressed on Side

    Chimú

    ΔE 2.7 · very close

    20% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 12.7 · loosely related

    69% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 2.2 · very close

    17% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 6.3 · close

    36% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 1.8 · near-exact

    14% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 1.6 · near-exact

    12% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 3.6 · very close

    22% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 3.8 · very close

    23% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 6.5 · close

    36% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 3.8 · very close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.8 · close

    31% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.4 · close

    34% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 2.5 · very close

    15% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 4.0 · very close

    22% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 4.4 · very close

    24% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 8.3 · close

    43% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.8 · close

    30% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.3 · close

    28% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 6.3 · close

    33% of canvas

  • Panel by Italy, 1450-1500

    Panel

    Italy

    ΔE 1.9 · near-exact

    11% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 6.7 · close

    35% of canvas

  • Snuff Box by Jacob Frisard, Early 19th century

    Snuff Box

    Jacob Frisard

    ΔE 2.0 · very close

    11% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 4.3 · very close

    22% of canvas

  • Teetertotter in Church Building by Unknown artist, n.d.

    Teetertotter in Church Building

    Unknown artist

    ΔE 4.9 · very close

    25% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 11.7 · close

    59% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 6.5 · close

    33% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 4.7 · very close

    24% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 4.3 · very close

    22% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 5.9 · close

    29% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.5 · very close

    22% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 5.1 · close

    25% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 4.9 · very close

    24% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 5.4 · close

    26% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 4.1 · very close

    19% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 12.9 · loosely related

    64% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 18.4 · loosely related

    91% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 3.9 · very close

    18% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 8.6 · close

    42% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 6.9 · close

    33% of canvas

What ΔE means, and what this does not measure