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#a3653d

Ranked by perceptual distance

Works near #a3653d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 3.5 · very close

    39% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.3 · very close

    43% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.9 · very close

    37% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 0.2 · near-exact

    17% of canvas

  • Fragments by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragments

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.6 · very close

    27% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 1.1 · near-exact

    14% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 1.3 · near-exact

    15% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla,, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla,

    ΔE 4.9 · very close

    32% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 7.1 · close

    43% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.8 · very close

    31% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 10.1 · close

    57% of canvas

  • Kesa by Japan, Early 19th century, Late Edo period (1789–1868)

    Kesa

    Japan

    ΔE 3.4 · very close

    23% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.3 · close

    32% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 1.4 · near-exact

    13% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 1.1 · near-exact

    11% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 1.7 · near-exact

    14% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 1.0 · near-exact

    9% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.0 · very close

    24% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.0 · close

    33% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.8 · very close

    17% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 3.3 · very close

    20% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 2.3 · very close

    14% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 1.6 · near-exact

    9% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.6 · very close

    24% of canvas

  • Minature Handled Bowl with Textile-like Design by Inca, 1450–1532

    Minature Handled Bowl with Textile-like Design

    Inca

    ΔE 2.8 · very close

    14% of canvas

  • Fragment by Wari, About 600-800 CE

    Fragment

    Wari

    ΔE 1.6 · near-exact

    8% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 8.8 · close

    44% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 2.9 · very close

    13% of canvas

  • Veneration by Eduardus Jacobus, after 1698

    Veneration

    Eduardus Jacobus

    ΔE 1.9 · near-exact

    9% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 3.9 · very close

    18% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.0 · close

    39% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 1.6 · near-exact

    7% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 3.5 · very close

    16% of canvas

  • Fragment by Italy, 1650 / 1700

    Fragment

    Italy

    ΔE 6.3 · close

    30% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 4.9 · very close

    22% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 9.1 · close

    43% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 9.6 · close

    45% of canvas

  • Miya (Mia), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Miya (Mia), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.6 · very close

    15% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 7.3 · close

    33% of canvas

  • Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.6 · very close

    14% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 5.8 · close

    25% of canvas

  • Fuchu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Fuchu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.6 · very close

    18% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 3.9 · very close

    15% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 7.4 · close

    32% of canvas

  • Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.2 · very close

    16% of canvas

  • Mastoid (Drinking Cup) by Leafless Group, 500-480 BCE

    Mastoid (Drinking Cup)

    Leafless Group

    ΔE 1.9 · near-exact

    4% of canvas

  • Folded Hands by Unknown artist, n.d.

    Folded Hands

    Unknown artist

    ΔE 3.1 · very close

    10% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 3.6 · very close

    12% of canvas

  • Shono, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Shono, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.1 · very close

    14% of canvas

  • Mastoid (Drinking Cup) by Caylus Painter, about 500-480 BCE

    Mastoid (Drinking Cup)

    Caylus Painter

    ΔE 2.5 · very close

    6% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 8.2 · close

    35% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 3.4 · very close

    10% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 8.1 · close

    33% of canvas

  • Mitsuke, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mitsuke, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.9 · very close

    12% of canvas

  • Yoshida, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Yoshida, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.9 · very close

    12% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.4 · very close

    9% of canvas

  • Ishibei, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Ishibei, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.2 · very close

    14% of canvas

  • Ishi yakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Ishi yakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.2 · very close

    14% of canvas

  • Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.9 · very close

    12% of canvas

  • Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.6 · very close

    15% of canvas

What ΔE means, and what this does not measure