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#a38468

Ranked by perceptual distance

Works near #a38468

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 8.4 · close

    71% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 3.4 · very close

    43% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 7.0 · close

    57% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 7.9 · close

    58% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 7.6 · close

    56% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 10.3 · close

    69% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 7.7 · close

    53% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 7.1 · close

    49% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 5.9 · close

    43% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 8.6 · close

    56% of canvas

  • The Gods Discovering Venus and Mars by Pietro Antonio di Pietri, n.d.

    The Gods Discovering Venus and Mars

    Pietro Antonio di Pietri

    ΔE 1.0 · near-exact

    18% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 1.1 · near-exact

    18% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.8 · very close

    31% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 9.4 · close

    59% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 15.9 · loosely related

    91% of canvas

  • Portrait of Napoleon III (1808–1873), Emperor by Marc-Laurent Bruyas, 19th century

    Portrait of Napoleon III (1808–1873), Emperor

    Marc-Laurent Bruyas

    ΔE 4.1 · very close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.1 · close

    41% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 10.6 · close

    64% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 7.5 · close

    47% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.2 · close

    45% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 5.0 · close

    34% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 11.0 · close

    63% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 10.3 · close

    59% of canvas

  • Panel by France, c. 1724/27

    Panel

    France

    ΔE 4.4 · very close

    29% of canvas

  • Statue of Standing Warrior, from Rear by Follower of Francesco Salviati, n.d.

    Statue of Standing Warrior, from Rear

    Follower of Francesco Salviati

    ΔE 8.1 · close

    47% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 5.3 · close

    33% of canvas

  • Mask by Ancient Greek, 3rd-1st century BCE

    Mask

    Ancient Greek

    ΔE 0.3 · near-exact

    7% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 3.1 · very close

    22% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 10.5 · close

    58% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 5.8 · close

    35% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 2.5 · very close

    18% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 10.3 · close

    56% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 1.8 · near-exact

    14% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 6.2 · close

    36% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 3.5 · very close

    22% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 12.7 · loosely related

    68% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 11.3 · close

    61% of canvas

  • Fuchu: View of the Licensed Quarter in Nichomachi (Fuchu, Nichomachi kuruwa no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Fuchu: View of the Licensed Quarter in Nichomachi (Fuchu, Nichomachi kuruwa no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.7 · near-exact

    12% of canvas

  • Landscape with Figures Binding Wheat in Foreground by Ercole Bazzicaluva, n.d.

    Landscape with Figures Binding Wheat in Foreground

    Ercole Bazzicaluva

    ΔE 4.2 · very close

    24% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 4.5 · very close

    25% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 6.0 · close

    32% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 7.9 · close

    42% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 6.1 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.7 · very close

    26% of canvas

  • Totsuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Totsuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.1 · very close

    12% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 6.7 · close

    35% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 8.3 · close

    43% of canvas

  • Kanbara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Kanbara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 1.7 · near-exact

    9% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 5.4 · close

    28% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.5 · close

    33% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 7.3 · close

    37% of canvas

  • Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) by Utagawa Hiroshige, c. 1837/42

    Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

    Utagawa Hiroshige

    ΔE 2.9 · very close

    14% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 10.3 · close

    52% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 5.7 · close

    29% of canvas

  • Fragment by Netherlands, 17th century

    Fragment

    Netherlands

    ΔE 4.7 · very close

    23% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 5.1 · close

    25% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 6.2 · close

    30% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 7.4 · close

    36% of canvas

  • Valance by France, 19th century

    Valance

    France

    ΔE 5.4 · close

    26% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 5.0 · very close

    24% of canvas

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