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#aa8056

Ranked by perceptual distance

Works near #aa8056

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 5.5 · close

    57% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 8.9 · close

    71% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 5.4 · close

    47% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 3.1 · very close

    35% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 7.8 · close

    56% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.0 · close

    41% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 8.4 · close

    58% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.8 · close

    45% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.3 · very close

    36% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 7.7 · close

    53% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 0.0 · near-exact

    15% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 11.0 · close

    69% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 4.6 · very close

    37% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 4.4 · very close

    36% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 5.1 · close

    38% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 3.9 · very close

    31% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 1.5 · near-exact

    19% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 6.3 · close

    43% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 2.6 · very close

    24% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 6.4 · close

    43% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 1.8 · near-exact

    19% of canvas

  • Veneration by Eduardus Jacobus, after 1698

    Veneration

    Eduardus Jacobus

    ΔE 1.3 · near-exact

    16% of canvas

  • Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)" by Ippitsusai Buncho, c. 1772

    Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)"

    Ippitsusai Buncho

    ΔE 2.5 · very close

    22% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 9.4 · close

    56% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 8.7 · close

    52% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 8.5 · close

    50% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 11.3 · close

    64% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 3.2 · very close

    24% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 3.5 · very close

    25% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 7.1 · close

    43% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 7.3 · close

    43% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 9.4 · close

    53% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 5.4 · close

    33% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 5.0 · very close

    30% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 3.8 · very close

    23% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.3 · very close

    26% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 7.5 · close

    42% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 2.0 · very close

    14% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 11.9 · close

    63% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 3.5 · very close

    21% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 7.5 · close

    41% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 3.8 · very close

    22% of canvas

  • Shawl by Inca

    Shawl

    Inca

    ΔE 6.2 · close

    34% of canvas

  • Fragment by Italy, 1600/1650

    Fragment

    Italy

    ΔE 2.4 · very close

    14% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 6.4 · close

    34% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 5.4 · close

    29% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 3.4 · very close

    19% of canvas

  • Cover by Italy, 1601/50

    Cover

    Italy

    ΔE 3.9 · very close

    22% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 3.1 · very close

    17% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 5.3 · close

    28% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.3 · close

    33% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 4.9 · very close

    25% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 4.2 · very close

    22% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 6.5 · close

    33% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 3.6 · very close

    18% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 6.5 · close

    32% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 4.6 · very close

    22% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 6.7 · close

    33% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 12.3 · loosely related

    61% of canvas

  • Fragment Displaying Stepped-Fret Motif by Nasca, About 200-500

    Fragment Displaying Stepped-Fret Motif

    Nasca

    ΔE 3.0 · very close

    14% of canvas

What ΔE means, and what this does not measure