Skip to content
Chroma
#b29064

Ranked by perceptual distance

Works near #b29064

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 3.6 · very close

    71% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 2.8 · very close

    56% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 5.5 · close

    69% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 3.4 · very close

    58% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 2.6 · very close

    53% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 4.7 · very close

    59% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 5.8 · close

    64% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 4.2 · very close

    56% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 6.4 · close

    63% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 4.3 · very close

    52% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 5.7 · close

    59% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 1.5 · near-exact

    36% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 5.2 · close

    53% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 6.1 · close

    58% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 5.8 · close

    56% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 6.8 · close

    61% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 3.8 · very close

    43% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 4.8 · very close

    47% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 5.6 · close

    50% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 7.2 · close

    58% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 6.4 · close

    53% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 0.2 · near-exact

    21% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 2.4 · very close

    32% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 5.8 · close

    49% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 3.6 · very close

    36% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 3.2 · very close

    35% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 3.8 · very close

    37% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 3.6 · very close

    35% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 1.5 · near-exact

    24% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 5.1 · close

    42% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 3.2 · very close

    33% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.2 · very close

    27% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 9.2 · close

    62% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 6.3 · close

    46% of canvas

  • Fragment by France, c. 1750

    Fragment

    France

    ΔE 3.0 · very close

    29% of canvas

  • Border by Germany, 16th–17th century

    Border

    Germany

    ΔE 7.1 · close

    49% of canvas

  • Descent Into Limbo by Style of Domenico Maria Canuti, n.d.

    Descent Into Limbo

    Style of Domenico Maria Canuti

    ΔE 2.4 · very close

    25% of canvas

  • Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola by William Burgess, n.d.

    Ceremonial Shield with Stories of Marcus Curtius and Mutius Scaevola

    William Burgess

    ΔE 4.6 · very close

    36% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 2.5 · very close

    26% of canvas

  • The Woodchopper by Jean François Millet, c. 1848–1850

    The Woodchopper

    Jean François Millet

    ΔE 11.1 · close

    68% of canvas

  • Christ (Upper Torso) by Unknown artist, n.d.

    Christ (Upper Torso)

    Unknown artist

    ΔE 11.1 · close

    68% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 9.1 · close

    57% of canvas

  • Academic Male Nude, Half-Kneeling and Seen from the Back by Unknown artist, n.d.

    Academic Male Nude, Half-Kneeling and Seen from the Back

    Unknown artist

    ΔE 1.3 · near-exact

    18% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 4.7 · very close

    34% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 6.1 · close

    42% of canvas

  • Man Kneeling Before Veiled Woman with Mosque in Background by Johann August Rossmassler, n.d.

    Man Kneeling Before Veiled Woman with Mosque in Background

    Johann August Rossmassler

    ΔE 5.7 · close

    39% of canvas

  • God the Father by François Boitard, n.d.

    God the Father

    François Boitard

    ΔE 2.9 · very close

    25% of canvas

  • Portrait Bust of an Old Man Wearing Hat and Overcoat by Jean Jacques de Boissieu, n.d.

    Portrait Bust of an Old Man Wearing Hat and Overcoat

    Jean Jacques de Boissieu

    ΔE 4.9 · very close

    35% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 8.5 · close

    53% of canvas

  • The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783 by Katsukawa Shunsho, c. 1783

    The Actor Ichikawa Monnosuke II as the Ghost of the Renegade Monk Seigen in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Second Month, 1783

    Katsukawa Shunsho

    ΔE 3.8 · very close

    29% of canvas

  • Venus Trying to Retain Adonis by Jacob de Wit, n.d.

    Venus Trying to Retain Adonis

    Jacob de Wit

    ΔE 4.1 · very close

    30% of canvas

  • Putti with Shield and Sword by Jacob de Wit, n.d.

    Putti with Shield and Sword

    Jacob de Wit

    ΔE 10.0 · close

    60% of canvas

  • Castle on Lake by Unknown artist, n.d.

    Castle on Lake

    Unknown artist

    ΔE 5.4 · close

    36% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 4.7 · very close

    33% of canvas

  • Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso) by Bartolomeo Passarotti, n.d.

    Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

    Bartolomeo Passarotti

    ΔE 10.4 · close

    61% of canvas

  • Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)" by Utagawa Hiroshige, c. 1832/34

    Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)"

    Utagawa Hiroshige

    ΔE 1.1 · near-exact

    14% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 6.5 · close

    41% of canvas

  • Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.2 · very close

    29% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 3.4 · very close

    24% of canvas

  • The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?) by Ippitsusai Buncho, c. 1772

    The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?)

    Ippitsusai Buncho

    ΔE 4.2 · very close

    28% of canvas

What ΔE means, and what this does not measure