Skip to content
Chroma
#bd8b4e

Ranked by perceptual distance

Works near #bd8b4e

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 3.0 · very close

    50% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 8.1 · close

    71% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 4.5 · very close

    52% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 3.0 · very close

    43% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 5.5 · close

    53% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 2.5 · very close

    36% of canvas

  • Acute Pain by Eduardus Jacobus, after 1698

    Acute Pain

    Eduardus Jacobus

    ΔE 9.4 · close

    69% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 7.3 · close

    56% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 8.0 · close

    58% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 4.7 · very close

    42% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 7.1 · close

    53% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 6.2 · close

    47% of canvas

  • The Elephant, from The Berain Grotesques Series by Jean Baptiste Monnoyer, c. 1688/1732

    The Elephant, from The Berain Grotesques Series

    Jean Baptiste Monnoyer

    ΔE 4.0 · very close

    36% of canvas

  • Weeping by Eduardus Jacobus, after 1698

    Weeping

    Eduardus Jacobus

    ΔE 9.7 · close

    64% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 4.3 · very close

    37% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 3.6 · very close

    33% of canvas

  • Attention by Eduardus Jacobus, after 1698

    Attention

    Eduardus Jacobus

    ΔE 9.0 · close

    59% of canvas

  • Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Okabe, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.0 · very close

    29% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 3.3 · very close

    30% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 4.9 · very close

    38% of canvas

  • Anger by Eduardus Jacobus, after 1698

    Anger

    Eduardus Jacobus

    ΔE 8.7 · close

    56% of canvas

  • Desire by Eduardus Jacobus, after 1698

    Desire

    Eduardus Jacobus

    ΔE 10.3 · close

    63% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.3 · very close

    33% of canvas

  • Compassion by Eduardus Jacobus, after 1698

    Compassion

    Eduardus Jacobus

    ΔE 9.8 · close

    59% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 4.9 · very close

    33% of canvas

  • Admiration with Astonishment by Eduardus Jacobus, after 1698

    Admiration with Astonishment

    Eduardus Jacobus

    ΔE 10.2 · close

    58% of canvas

  • Horrour (sic) by Eduardus Jacobus, after 1698

    Horrour (sic)

    Eduardus Jacobus

    ΔE 10.7 · close

    61% of canvas

  • Seated Saint or Philosopher by Unknown artist, n.d.

    Seated Saint or Philosopher

    Unknown artist

    ΔE 3.8 · very close

    26% of canvas

  • Despair by Eduardus Jacobus, after 1698

    Despair

    Eduardus Jacobus

    ΔE 9.9 · close

    56% of canvas

  • Continence of Scipio by Pietro da Cortona, n.d.

    Continence of Scipio

    Pietro da Cortona

    ΔE 4.6 · very close

    30% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 10.1 · close

    57% of canvas

  • Foreshortened Angel by Antonio da Correggio, 1522/30

    Foreshortened Angel

    Antonio da Correggio

    ΔE 4.0 · very close

    26% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 3.9 · very close

    23% of canvas

  • Joy with Tranquility by Eduardus Jacobus, after 1698

    Joy with Tranquility

    Eduardus Jacobus

    ΔE 10.8 · close

    58% of canvas

  • Study by Valerio Castello, n.d.

    Study

    Valerio Castello

    ΔE 6.4 · close

    35% of canvas

  • The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV

    William Blake

    ΔE 0.1 · near-exact

    3% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 4.5 · very close

    25% of canvas

  • Seated Girl with Basket by Edith Langdale, 1876

    Seated Girl with Basket

    Edith Langdale

    ΔE 12.1 · loosely related

    62% of canvas

  • Simple Bodily Pain by Eduardus Jacobus, after 1698

    Simple Bodily Pain

    Eduardus Jacobus

    ΔE 10.3 · close

    53% of canvas

  • Waitress at the Minatoya Teahouse by Ippitsusai Buncho, c. 1769

    Waitress at the Minatoya Teahouse

    Ippitsusai Buncho

    ΔE 3.3 · very close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.1 · very close

    21% of canvas

  • Corner of a Loggia with Female Statue by Pietro Righini, n.d.

    Corner of a Loggia with Female Statue

    Pietro Righini

    ΔE 6.3 · close

    32% of canvas

  • Terrour (sic) or Fright by Eduardus Jacobus, after 1698

    Terrour (sic) or Fright

    Eduardus Jacobus

    ΔE 9.8 · close

    49% of canvas

  • Teapot by England, Staffordshire, c. 1820

    Teapot

    England, Staffordshire

    ΔE 2.6 · very close

    12% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 3.8 · very close

    18% of canvas

  • Portrait Bust of an Old Man Wearing Hat and Overcoat by Jean Jacques de Boissieu, n.d.

    Portrait Bust of an Old Man Wearing Hat and Overcoat

    Jean Jacques de Boissieu

    ΔE 7.3 · close

    35% of canvas

  • Scene from Bohemian Life by James McNeill Whistler, 1855/57

    Scene from Bohemian Life

    James McNeill Whistler

    ΔE 7.7 · close

    35% of canvas

  • Border by Italy, 1601/25

    Border

    Italy

    ΔE 4.5 · very close

    19% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 4.2 · very close

    17% of canvas

  • The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788 by Torii Kiyonaga, 1788

    The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788

    Torii Kiyonaga

    ΔE 3.7 · very close

    15% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 7.3 · close

    32% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 7.1 · close

    31% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 3.9 · very close

    15% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 7.8 · close

    34% of canvas

  • Landscape with Bridge and Ruins by Franz Kobell, n.d.

    Landscape with Bridge and Ruins

    Franz Kobell

    ΔE 3.5 · very close

    13% of canvas

  • Stirrup Spout Vessel with Geometric Motifs by Moche, 100 BCE–500 CE

    Stirrup Spout Vessel with Geometric Motifs

    Moche

    ΔE 5.2 · close

    21% of canvas

  • Fragment by Peru

    Fragment

    Peru

    ΔE 3.1 · very close

    11% of canvas

  • Women and Soldiers Dancing in Village Square by Unknown artist, n.d.

    Women and Soldiers Dancing in Village Square

    Unknown artist

    ΔE 9.6 · close

    42% of canvas

  • Mitsuke, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mitsuke, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.9 · very close

    13% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 8.4 · close

    35% of canvas

What ΔE means, and what this does not measure