Skip to content
Chroma
#86662b

Ranked by perceptual distance

Works near #86662b

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

Pick a different colour

Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 2.5 · very close

    32% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 7.8 · close

    57% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 3.3 · very close

    34% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.5 · very close

    39% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 5.4 · close

    43% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.5 · very close

    38% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 3.1 · very close

    28% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 5.8 · close

    41% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 3.3 · very close

    28% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 6.6 · close

    43% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.8 · very close

    29% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 1.0 · near-exact

    14% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.4 · very close

    30% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 3.2 · very close

    24% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 7.6 · close

    45% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 5.0 · close

    31% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 5.3 · close

    32% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.9 · very close

    30% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 2.4 · very close

    17% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 1.6 · near-exact

    13% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 5.0 · close

    30% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 2.9 · very close

    18% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.5 · close

    31% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 4.0 · very close

    23% of canvas

  • Earring with Dolphin Head Finial by Ancient Greek, 3rd-2nd century BCE

    Earring with Dolphin Head Finial

    Ancient Greek

    ΔE 0.3 · near-exact

    4% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 4.9 · very close

    26% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.3 · close

    33% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 2.6 · very close

    14% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 3.8 · very close

    20% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 6.9 · close

    35% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 4.5 · very close

    23% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 3.0 · very close

    15% of canvas

  • The Road to Market by Constant Troyon, 1858–59

    The Road to Market

    Constant Troyon

    ΔE 2.7 · very close

    12% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 5.5 · close

    26% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 3.8 · very close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.6 · close

    31% of canvas

  • October Day by Jean Charles Cazin, 1890–93

    October Day

    Jean Charles Cazin

    ΔE 6.2 · close

    29% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.8 · close

    41% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.6 · close

    30% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 9.1 · close

    41% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.6 · close

    24% of canvas

  • Flight of Celia by Polidoro da Caravaggio, n.d.

    Flight of Celia

    Polidoro da Caravaggio

    ΔE 4.0 · very close

    16% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 3.8 · very close

    14% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 5.7 · close

    23% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 2.3 · very close

    6% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 4.0 · very close

    14% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 6.3 · close

    26% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.4 · close

    31% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 11.0 · close

    49% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 6.7 · close

    27% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 7.8 · close

    33% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.9 · close

    33% of canvas

  • Kesa by Japan, Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.0 · close

    23% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 6.4 · close

    25% of canvas

  • Miniature Pyxis (Container for Personal Objects) by Ancient Greek, 300-270 BCE

    Miniature Pyxis (Container for Personal Objects)

    Ancient Greek

    ΔE 4.6 · very close

    16% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 4.2 · very close

    13% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 7.3 · close

    29% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 6.8 · close

    26% of canvas

  • Cart on Road Flanked by Inn and Windmill by Thomas Richard Colman Dibdin, n.d.

    Cart on Road Flanked by Inn and Windmill

    Thomas Richard Colman Dibdin

    ΔE 4.9 · very close

    16% of canvas

  • Saint Helena and the True Cross by Unknown Roman, 1580/90

    Saint Helena and the True Cross

    Unknown Roman

    ΔE 8.7 · close

    34% of canvas

What ΔE means, and what this does not measure