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#885b20

Ranked by perceptual distance

Works near #885b20

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 0.1 · near-exact

    31% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.0 · very close

    39% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 3.8 · very close

    38% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 2.9 · very close

    33% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 2.6 · very close

    30% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 1.6 · near-exact

    23% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 2.8 · very close

    28% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 5.7 · close

    43% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.5 · very close

    33% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 4.7 · very close

    32% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.9 · close

    34% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.0 · close

    30% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.6 · close

    32% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 10.7 · close

    57% of canvas

  • The Tête-à-tête by Emile van Marcke de Lummen, c. 1875–90

    The Tête-à-tête

    Emile van Marcke de Lummen

    ΔE 2.4 · very close

    14% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 9.4 · close

    49% of canvas

  • Fragment by Italy, 1575/1600

    Fragment

    Italy

    ΔE 9.5 · close

    48% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.3 · close

    31% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 2.4 · very close

    11% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 8.3 · close

    39% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 9.1 · close

    43% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 5.8 · close

    26% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 3.5 · very close

    14% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 6.1 · close

    28% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 3.8 · very close

    15% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 5.7 · close

    24% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 3.9 · very close

    14% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 7.2 · close

    31% of canvas

  • Flight of Celia by Polidoro da Caravaggio, n.d.

    Flight of Celia

    Polidoro da Caravaggio

    ΔE 4.4 · very close

    16% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 7.8 · close

    33% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 10.3 · close

    45% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 9.5 · close

    41% of canvas

  • Fragment by France, 1601/25

    Fragment

    France

    ΔE 8.4 · close

    33% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 3.7 · very close

    10% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 5.8 · close

    20% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 8.2 · close

    31% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 10.3 · close

    41% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 4.9 · very close

    13% of canvas

  • Portrait of an Artist by Follower of Frans Hals, 1644

    Portrait of an Artist

    Follower of Frans Hals

    ΔE 2.9 · very close

    3% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 5.1 · close

    13% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 6.5 · close

    20% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 8.4 · close

    30% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 5.4 · close

    15% of canvas

  • Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Shinagawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.5 · very close

    10% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 8.3 · close

    29% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 7.4 · close

    24% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 3.5 · very close

    5% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 5.5 · close

    14% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 6.0 · close

    17% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 7.5 · close

    24% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 5.7 · close

    15% of canvas

  • Fragment by Egypt, Arab period (641–969)/Fatimid period (969–1171)/Ayyubid period (1171–1250)/ Mamluk period (1250–1517), 9th/13th century

    Fragment

    Egypt

    ΔE 10.5 · close

    39% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 6.5 · close

    19% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 8.6 · close

    29% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 6.7 · close

    19% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 8.1 · close

    26% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 8.1 · close

    26% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 9.0 · close

    30% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 6.7 · close

    18% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 9.8 · close

    34% of canvas

What ΔE means, and what this does not measure