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#896745

Ranked by perceptual distance

Works near #896745

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 1.5 · near-exact

    35% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 3.2 · very close

    43% of canvas

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 6.6 · close

    57% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 1.8 · near-exact

    31% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 1.8 · near-exact

    29% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 2.8 · very close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 2.6 · very close

    31% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 4.7 · very close

    39% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.8 · close

    45% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 2.8 · very close

    30% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 5.5 · close

    43% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 3.8 · very close

    34% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.1 · very close

    33% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 4.0 · very close

    33% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.5 · very close

    30% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 1.8 · near-exact

    20% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 7.5 · close

    49% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.8 · very close

    25% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.4 · close

    38% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 4.2 · very close

    31% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 2.8 · very close

    23% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.7 · very close

    32% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 6.5 · close

    41% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 3.9 · very close

    28% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 3.0 · very close

    23% of canvas

  • Epitaph of Charles Sackville by Giovanni Battista Pittoni, the younger, n.d.

    Epitaph of Charles Sackville

    Giovanni Battista Pittoni, the younger

    ΔE 0.2 · near-exact

    9% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 3.8 · very close

    26% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.9 · very close

    31% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 2.1 · very close

    17% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 3.9 · very close

    26% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 4.8 · very close

    30% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.1 · close

    41% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 4.5 · very close

    28% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 5.0 · close

    29% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 4.7 · very close

    27% of canvas

  • Fragments by Peru

    Fragments

    Peru

    ΔE 0.5 · near-exact

    4% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 3.3 · very close

    18% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 18.0 · loosely related

    91% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.6 · close

    29% of canvas

  • Fragment (Band) by Peru

    Fragment (Band)

    Peru

    ΔE 1.2 · near-exact

    6% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.1 · very close

    20% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 10.0 · close

    49% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 5.8 · close

    28% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 3.6 · very close

    17% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 5.7 · close

    27% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 4.4 · very close

    20% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.3 · very close

    14% of canvas

  • Two Border Fragments by Spain, Late 16th/early 17th century

    Two Border Fragments

    Spain

    ΔE 3.9 · very close

    17% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.9 · very close

    22% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 8.8 · close

    41% of canvas

  • Fragment by Italy, 1600/25

    Fragment

    Italy

    ΔE 3.2 · very close

    13% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 3.9 · very close

    16% of canvas

  • Fragment (Dress Fabric) by Possibly Italy, 1650/1700

    Fragment (Dress Fabric)

    Possibly Italy

    ΔE 3.5 · very close

    14% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 5.5 · close

    24% of canvas

  • Study of Pigs by Alexandre Gabriel Decamps, c. 1855

    Study of Pigs

    Alexandre Gabriel Decamps

    ΔE 3.3 · very close

    13% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.8 · close

    24% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 3.5 · very close

    13% of canvas

  • Venus and Mars with Cupid and the Three Graces in a Landscape by Domenico Tintoretto, 1585–95

    Venus and Mars with Cupid and the Three Graces in a Landscape

    Domenico Tintoretto

    ΔE 3.7 · very close

    14% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 4.9 · very close

    20% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 2.6 · very close

    8% of canvas

What ΔE means, and what this does not measure