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#896b48

Ranked by perceptual distance

Works near #896b48

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 5.2 · close

    57% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 1.1 · near-exact

    35% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 3.6 · very close

    43% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 4.4 · very close

    45% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 1.2 · near-exact

    29% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 1.7 · near-exact

    30% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.3 · very close

    43% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 2.5 · very close

    31% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 2.4 · very close

    31% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 3.2 · very close

    34% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 1.1 · near-exact

    23% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 4.9 · very close

    41% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 1.8 · near-exact

    25% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 2.1 · very close

    26% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 3.7 · very close

    33% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 3.2 · very close

    30% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 3.8 · very close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.6 · close

    41% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 3.1 · very close

    28% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.8 · very close

    31% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 3.1 · very close

    27% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 3.2 · very close

    28% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.1 · very close

    32% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.8 · very close

    29% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 6.1 · close

    39% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.0 · close

    38% of canvas

  • The Wedding at Cana by Giuseppe Maria Crespi, c. 1686

    The Wedding at Cana

    Giuseppe Maria Crespi

    ΔE 3.7 · very close

    26% of canvas

  • Fragment by France, 19th century

    Fragment

    France

    ΔE 3.1 · very close

    23% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.2 · close

    33% of canvas

  • Frieze with Eight Putti by Polidoro da Caravaggio, n.d.

    Frieze with Eight Putti

    Polidoro da Caravaggio

    ΔE 4.7 · very close

    30% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 17.1 · loosely related

    91% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 3.7 · very close

    24% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 3.1 · very close

    20% of canvas

  • Fragment by Japan, Edo period (1615–1868), 1775/1825

    Fragment

    Japan

    ΔE 8.8 · close

    49% of canvas

  • Panel (Dress Fabric) by France, 1775/1800

    Panel (Dress Fabric)

    France

    ΔE 0.2 · near-exact

    6% of canvas

  • Picture by England, 1634

    Picture

    England

    ΔE 2.7 · very close

    18% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 6.9 · close

    38% of canvas

  • Portion of a Chasuble by Probably made for Piero Soderini (1452–1522), 1450-1500

    Portion of a Chasuble

    Probably made for Piero Soderini (1452–1522)

    ΔE 9.2 · close

    49% of canvas

  • Portrait of a Princess by Mughal, 17th/18th century

    Portrait of a Princess

    Mughal

    ΔE 6.3 · close

    34% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.7 · close

    31% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 5.3 · close

    29% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.4 · very close

    14% of canvas

  • Bacchanale with Putti by Enea Salmeggia, c. 1560

    Bacchanale with Putti

    Enea Salmeggia

    ΔE 5.0 · close

    27% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 2.6 · very close

    14% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 3.1 · very close

    17% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 8.3 · close

    43% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 5.8 · close

    30% of canvas

  • A Struggle for the Start, plate one from The Leicestershire Hunt by John Dean Paul, published 1825

    A Struggle for the Start, plate one from The Leicestershire Hunt

    John Dean Paul

    ΔE 2.2 · very close

    12% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.3 · very close

    22% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 4.0 · very close

    20% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 5.4 · close

    26% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 3.1 · very close

    15% of canvas

  • Epitaph of Charles Sackville by Giovanni Battista Pittoni, the younger, n.d.

    Epitaph of Charles Sackville

    Giovanni Battista Pittoni, the younger

    ΔE 2.0 · near-exact

    9% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 5.0 · close

    24% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.7 · very close

    22% of canvas

  • The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778 by Katsukawa Shunsho, c. 1778

    The Actor Segawa Kikunojo III as Onami Disguised as the Dragon Princess in the Play Saki Masuya Ume no Kachidoki, Performed at the Ichimura Theater in the Eleventh Month, 1778

    Katsukawa Shunsho

    ΔE 4.1 · very close

    19% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 8.6 · close

    41% of canvas

  • Stoning of Saint Stephen by Charles Le Brun, n.d.

    Stoning of Saint Stephen

    Charles Le Brun

    ΔE 2.0 · very close

    8% of canvas

  • Rest on the Flight into Egypt by Bartolomeo Biscaino, n.d.

    Rest on the Flight into Egypt

    Bartolomeo Biscaino

    ΔE 4.0 · very close

    18% of canvas

  • Cavaliers Taking Leave of Their Sweethearts by David Balthasar Wagner, 1662

    Cavaliers Taking Leave of Their Sweethearts

    David Balthasar Wagner

    ΔE 2.2 · very close

    9% of canvas

What ΔE means, and what this does not measure