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#91713d

Ranked by perceptual distance

Works near #91713d

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 3.3 · very close

    57% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 1.4 · near-exact

    41% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.5 · very close

    43% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 3.4 · very close

    45% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 0.1 · near-exact

    23% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.3 · very close

    41% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 4.6 · very close

    43% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 1.9 · near-exact

    26% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 2.0 · very close

    26% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 2.3 · very close

    28% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 3.0 · very close

    31% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.1 · very close

    34% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.0 · very close

    33% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 3.0 · very close

    26% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 1.4 · near-exact

    18% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.3 · very close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.0 · very close

    30% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 7.5 · close

    47% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.9 · close

    39% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 5.4 · close

    35% of canvas

  • Rest on the Flight into Egypt by Bartolomeo Biscaino, n.d.

    Rest on the Flight into Egypt

    Bartolomeo Biscaino

    ΔE 2.2 · very close

    18% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 4.1 · very close

    28% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 7.4 · close

    43% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 2.9 · very close

    20% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 3.9 · very close

    24% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 4.0 · very close

    23% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 5.8 · close

    32% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 2.7 · very close

    17% of canvas

  • Fragment by Italy, 1775/1800

    Fragment

    Italy

    ΔE 2.5 · very close

    16% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.4 · close

    30% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 3.1 · very close

    17% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 3.3 · very close

    18% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 13.9 · loosely related

    71% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 7.2 · close

    38% of canvas

  • Standing Lion with Shaggy Mane by Frederik William Zurcher, n.d.

    Standing Lion with Shaggy Mane

    Frederik William Zurcher

    ΔE 7.4 · close

    38% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.3 · very close

    22% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 6.6 · close

    34% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 3.0 · very close

    16% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.7 · close

    33% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 4.8 · very close

    24% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 4.5 · very close

    22% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 5.7 · close

    28% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.5 · very close

    22% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.7 · close

    38% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 4.8 · very close

    23% of canvas

  • Begging for Alms by Isoda Koryusai, c. 1771

    Begging for Alms

    Isoda Koryusai

    ΔE 5.0 · very close

    24% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.4 · close

    31% of canvas

  • Man Kneeling Before Veiled Woman with Mosque in Background by Johann August Rossmassler, n.d.

    Man Kneeling Before Veiled Woman with Mosque in Background

    Johann August Rossmassler

    ΔE 6.8 · close

    33% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 3.7 · very close

    17% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 4.1 · very close

    18% of canvas

  • Descent Into Limbo by Style of Domenico Maria Canuti, n.d.

    Descent Into Limbo

    Style of Domenico Maria Canuti

    ΔE 4.1 · very close

    18% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 6.2 · close

    29% of canvas

  • Fragment by Italy, 1450-1500

    Fragment

    Italy

    ΔE 3.5 · very close

    15% of canvas

  • Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus by Jan van Leefdael, c. 1650

    Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

    Jan van Leefdael

    ΔE 8.8 · close

    41% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 3.5 · very close

    14% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.9 · close

    31% of canvas

  • Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.0 · very close

    16% of canvas

  • Young Woman on Galloping Horse by Johann August Rossmassler, n.d.

    Young Woman on Galloping Horse

    Johann August Rossmassler

    ΔE 8.6 · close

    39% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 5.8 · close

    25% of canvas

  • Border of a Valance by Spain, 18th century

    Border of a Valance

    Spain

    ΔE 4.7 · very close

    19% of canvas

What ΔE means, and what this does not measure