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#986a2a

Ranked by perceptual distance

Works near #986a2a

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 6.6 · close

    57% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.4 · very close

    39% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 4.3 · very close

    43% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 5.2 · close

    43% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 0.2 · near-exact

    15% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 6.5 · close

    45% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 2.2 · very close

    24% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 5.7 · close

    41% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 4.9 · very close

    33% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 1.0 · near-exact

    13% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.5 · very close

    31% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 4.1 · very close

    28% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 5.3 · close

    32% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.7 · close

    34% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.7 · close

    32% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.6 · close

    41% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 3.2 · very close

    19% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 3.5 · very close

    20% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.8 · close

    31% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 3.4 · very close

    18% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.2 · very close

    22% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 7.4 · close

    38% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 7.9 · close

    39% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 5.9 · close

    30% of canvas

  • Fragment by Italy, 1625/75

    Fragment

    Italy

    ΔE 6.0 · close

    30% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 4.6 · very close

    23% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 7.1 · close

    35% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 6.4 · close

    31% of canvas

  • Headdress by Nasca

    Headdress

    Nasca

    ΔE 4.9 · very close

    23% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 5.5 · close

    26% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 5.9 · close

    28% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 8.1 · close

    38% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 10.1 · close

    47% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 7.6 · close

    33% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.0 · close

    30% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 5.4 · close

    22% of canvas

  • Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.3 · very close

    16% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 6.5 · close

    26% of canvas

  • Fragment (Dress Fabric) by Italy, 1600/25

    Fragment (Dress Fabric)

    Italy

    ΔE 3.8 · very close

    13% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 4.3 · very close

    15% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 5.1 · close

    18% of canvas

  • Rest on the Flight into Egypt by Bartolomeo Biscaino, n.d.

    Rest on the Flight into Egypt

    Bartolomeo Biscaino

    ΔE 5.2 · close

    18% of canvas

  • Fragment by Italy, c. 1600

    Fragment

    Italy

    ΔE 4.4 · very close

    14% of canvas

  • Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.8 · very close

    16% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 5.3 · close

    18% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 4.8 · very close

    16% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.3 · close

    23% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 6.4 · close

    23% of canvas

  • Fragment by Italy, 16th century

    Fragment

    Italy

    ΔE 8.4 · close

    33% of canvas

  • The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV by William Blake, 1827, printed c. 1892

    The Circle of the Thieves; Buoso Donati Attacked by the Serpent. Inferno, canto XXV

    William Blake

    ΔE 3.0 · very close

    5% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 8.2 · close

    31% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 6.2 · close

    20% of canvas

  • Slings by Peru

    Slings

    Peru

    ΔE 5.5 · close

    17% of canvas

  • Ishi yakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Ishi yakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.8 · very close

    14% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 7.4 · close

    26% of canvas

  • Kameyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kameyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.7 · very close

    13% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 5.5 · close

    17% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 2.7 · very close

    2% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 4.3 · very close

    10% of canvas

  • Fragment by Italy, 1650/1700

    Fragment

    Italy

    ΔE 5.2 · close

    14% of canvas

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