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#99724c

Ranked by perceptual distance

Works near #99724c

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 3.4 · very close

    57% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 2.9 · very close

    45% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.9 · very close

    43% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.7 · very close

    41% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 4.1 · very close

    43% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 4.9 · very close

    41% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 3.9 · very close

    35% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 4.9 · very close

    39% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 2.4 · very close

    26% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.1 · very close

    33% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.7 · very close

    30% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 2.5 · very close

    22% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 3.6 · very close

    28% of canvas

  • Aeneas Leaving the Burning City of Troy by Unknown artist, n.d.

    Aeneas Leaving the Burning City of Troy

    Unknown artist

    ΔE 4.7 · very close

    33% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.4 · very close

    31% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 3.1 · very close

    24% of canvas

  • Page from a Copy of the Qur'an by Islamic, Abbasid Caliphate (750–1258), 9th century

    Page from a Copy of the Qur'an

    Islamic

    ΔE 0.2 · near-exact

    7% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.0 · close

    31% of canvas

  • Sampler by Nasca, 1 CE-200 CE

    Sampler

    Nasca

    ΔE 7.5 · close

    43% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 7.5 · close

    43% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 5.1 · close

    31% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 8.4 · close

    47% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 5.8 · close

    33% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 5.6 · close

    32% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 13.4 · loosely related

    71% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 4.0 · very close

    24% of canvas

  • Handled Brownware Jug with Bird Impressed on Side by Chimú, 1000–1400

    Handled Brownware Jug with Bird Impressed on Side

    Chimú

    ΔE 3.4 · very close

    20% of canvas

  • Fragment (From a Vestment) by Italy, Florence, 15th century

    Fragment (From a Vestment)

    Italy, Florence

    ΔE 5.1 · close

    29% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 2.9 · very close

    17% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 4.2 · very close

    23% of canvas

  • Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune by Kitao Shigemasa, 1780s

    Boy as Hotei, from an untitled series of children as the Seven Gods of Good Fortune

    Kitao Shigemasa

    ΔE 2.8 · very close

    17% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 4.0 · very close

    22% of canvas

  • Rest on the Flight into Egypt by Bartolomeo Biscaino, n.d.

    Rest on the Flight into Egypt

    Bartolomeo Biscaino

    ΔE 3.3 · very close

    18% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.4 · close

    34% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 3.5 · very close

    18% of canvas

  • Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.2 · very close

    16% of canvas

  • Spoon by Artist unknown, c. 1830

    Spoon

    Artist unknown

    ΔE 18.2 · loosely related

    91% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.5 · very close

    22% of canvas

  • Academic Male Nude, Half-Kneeling and Seen from the Back by Unknown artist, n.d.

    Academic Male Nude, Half-Kneeling and Seen from the Back

    Unknown artist

    ΔE 1.9 · near-exact

    9% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 5.2 · close

    25% of canvas

  • Fragment by Europe, 1601/25

    Fragment

    Europe

    ΔE 4.2 · very close

    20% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 4.6 · very close

    22% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.2 · very close

    20% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 5.5 · close

    26% of canvas

  • Fish Plate by Ancient Greek, 400-370 BCE

    Fish Plate

    Ancient Greek

    ΔE 4.2 · very close

    20% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 7.9 · close

    38% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 4.5 · very close

    21% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 5.5 · close

    26% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.3 · close

    30% of canvas

  • Admiration by Eduardus Jacobus, after 1698

    Admiration

    Eduardus Jacobus

    ΔE 3.1 · very close

    14% of canvas

  • Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888) by François Carquillat, 19th century

    Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)

    François Carquillat

    ΔE 7.0 · close

    33% of canvas

  • Fragment by Peru, north coast, Culebra Vallery, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Vallery, La Capilla

    ΔE 6.6 · close

    31% of canvas

  • Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.5 · very close

    15% of canvas

  • Fragment (Dress Fabric) by Italy, 16th/17th century

    Fragment (Dress Fabric)

    Italy

    ΔE 2.7 · very close

    11% of canvas

  • Panel by Italy, 1450-1500

    Panel

    Italy

    ΔE 2.7 · very close

    11% of canvas

  • Sketches of Head, Hands, Shoulder, and Feet by Style of Agostino Masucci, n.d.

    Sketches of Head, Hands, Shoulder, and Feet

    Style of Agostino Masucci

    ΔE 2.0 · very close

    7% of canvas

  • Fragment of Velvet by Italy, Mid-15th-early 16th century

    Fragment of Velvet

    Italy

    ΔE 3.9 · very close

    17% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 9.1 · close

    43% of canvas

  • Furisode by Japan, 18th century, late Edo period (1789–1868)

    Furisode

    Japan

    ΔE 6.0 · close

    27% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 4.9 · very close

    22% of canvas

What ΔE means, and what this does not measure