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#9c7230

Ranked by perceptual distance

Works near #9c7230

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 5.3 · close

    57% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 4.5 · very close

    43% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 4.6 · very close

    41% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 5.6 · close

    45% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 6.0 · close

    43% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 5.3 · close

    38% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 7.3 · close

    47% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.2 · close

    41% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 3.5 · very close

    26% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.3 · close

    39% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 3.5 · very close

    24% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.6 · very close

    23% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 3.4 · very close

    22% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 3.8 · very close

    23% of canvas

  • Fragment by Italy, 1601/35

    Fragment

    Italy

    ΔE 2.5 · very close

    16% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 6.1 · close

    33% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 5.5 · close

    29% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 3.2 · very close

    18% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 8.0 · close

    42% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 5.3 · close

    28% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.3 · close

    33% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 14.0 · loosely related

    71% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 0.2 · near-exact

    2% of canvas

  • Tobias and the Angel by Jean Charles Cazin, 1878

    Tobias and the Angel

    Jean Charles Cazin

    ΔE 3.5 · very close

    18% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.9 · close

    34% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 3.9 · very close

    18% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 5.5 · close

    26% of canvas

  • Band by Nasca, 700-900

    Band

    Nasca

    ΔE 4.8 · very close

    22% of canvas

  • Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)" by Isoda Koryusai, c. 1776/81

    Poem by Bun'ya no Yasuhide, from the series "Modern Versions of the Six Immortal Poets (Imayo fuzoku rokkasen)"

    Isoda Koryusai

    ΔE 3.3 · very close

    15% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.5 · close

    31% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 6.6 · close

    31% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 4.8 · very close

    22% of canvas

  • Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.6 · very close

    16% of canvas

  • Bearded Head by Unknown artist, n.d.

    Bearded Head

    Unknown artist

    ΔE 5.5 · close

    25% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 7.9 · close

    37% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 5.7 · close

    26% of canvas

  • Fragment by Italy, 1625/50

    Fragment

    Italy

    ΔE 4.0 · very close

    17% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.9 · close

    32% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 4.7 · very close

    20% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 6.8 · close

    30% of canvas

  • Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.2 · very close

    16% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 7.4 · close

    32% of canvas

  • Rest on the Flight into Egypt by Bartolomeo Biscaino, n.d.

    Rest on the Flight into Egypt

    Bartolomeo Biscaino

    ΔE 4.6 · very close

    18% of canvas

  • Fragment by Peru, south coast, Ingenio Valley, Hacienda Estudente

    Fragment

    Peru, south coast, Ingenio Valley, Hacienda Estudente

    ΔE 6.6 · close

    28% of canvas

  • Fragment of a Necklace by Ancient Roman, 3rd century

    Fragment of a Necklace

    Ancient Roman

    ΔE 3.7 · very close

    13% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 9.6 · close

    43% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 7.1 · close

    30% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 8.0 · close

    35% of canvas

  • Band by Peru, south coast, Nazca Valley

    Band

    Peru, south coast, Nazca Valley

    ΔE 9.6 · close

    43% of canvas

  • Bracelet by Islamic, 14th-15th century

    Bracelet

    Islamic

    ΔE 1.6 · near-exact

    2% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 12.5 · loosely related

    56% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 4.6 · very close

    17% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 8.4 · close

    35% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 8.3 · close

    34% of canvas

  • Interior of St. Mark's, Venice by David Dalhoff Neal, 1869

    Interior of St. Mark's, Venice

    David Dalhoff Neal

    ΔE 7.0 · close

    28% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 13.2 · loosely related

    58% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 3.8 · very close

    10% of canvas

  • Corner of a Loggia with Female Statue by Pietro Righini, n.d.

    Corner of a Loggia with Female Statue

    Pietro Righini

    ΔE 5.4 · close

    18% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 7.7 · close

    30% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 12.6 · loosely related

    53% of canvas

What ΔE means, and what this does not measure