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#9d7341

Ranked by perceptual distance

Works near #9d7341

Ranked by CIEDE2000 distance to each work’s nearest palette entry, weighted by how much of the canvas that colour covers. Each result shows the real perceptual distance and that coverage, not the blended score that produced the order.

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Drag the ring or use the arrow keys. Every result is ranked by how close it is in CIELAB, weighted by how much of the canvas the colour covers.

Closest first

60 of 1,497 works

  • Fragment by Egypt, 5th-6th century

    Fragment

    Egypt

    ΔE 3.1 · very close

    57% of canvas

  • Fragment by Egypt, Fatimid period (969–1171)

    Fragment

    Egypt

    ΔE 2.3 · very close

    43% of canvas

  • Fragment by Egypt, possibly Akhmin, 4th-6th century

    Fragment

    Egypt, possibly Akhmin

    ΔE 3.1 · very close

    45% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 3.9 · very close

    41% of canvas

  • L'Hiver (Winter) by Pierre Antoine Mongin, Early 19th century

    L'Hiver (Winter)

    Pierre Antoine Mongin

    ΔE 3.9 · very close

    41% of canvas

  • Fragment (From a Tunic) by Wari, 600 CE-800 CE

    Fragment (From a Tunic)

    Wari

    ΔE 4.4 · very close

    43% of canvas

  • Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 0.1 · near-exact

    16% of canvas

  • Kesa by Japan, late Edo period (1615–1868), late 18th century

    Kesa

    Japan

    ΔE 4.1 · very close

    33% of canvas

  • Cottage and Ruined Tower near Stream by James "Drunken" Robertson, n.d.

    Cottage and Ruined Tower near Stream

    James "Drunken" Robertson

    ΔE 6.9 · close

    47% of canvas

  • Fragment by Tiwanaku, 1000-1476

    Fragment

    Tiwanaku

    ΔE 1.2 · near-exact

    18% of canvas

  • The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)" by Kitao Masanobu, 1784

    The Courtesans Utagawa and Nanasato from the Yotsumeya, from the album "Comparing New Beauties of the Yoshiwara - A Mirror of Their Own Writings (Keisei shin bijin awase jikihitsu kagami)"

    Kitao Masanobu

    ΔE 2.0 · near-exact

    22% of canvas

  • Fragment by Nasca, 700-900

    Fragment

    Nasca

    ΔE 2.0 · very close

    22% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 5.5 · close

    38% of canvas

  • Tunic by Wari, 600-800

    Tunic

    Wari

    ΔE 3.6 · very close

    28% of canvas

  • Funerary Papyrus of Tayuhenutmut by Ancient Egyptian, Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)

    Funerary Papyrus of Tayuhenutmut

    Ancient Egyptian

    ΔE 5.1 · close

    35% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 4.5 · very close

    31% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 6.2 · close

    39% of canvas

  • Fragment by Spain, 1575/1625

    Fragment

    Spain

    ΔE 3.6 · very close

    26% of canvas

  • Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.0 · near-exact

    16% of canvas

  • Scorn by Eduardus Jacobus, after 1698

    Scorn

    Eduardus Jacobus

    ΔE 12.9 · loosely related

    71% of canvas

  • Kesa by Japan, Edo period (1615–1868), 18th century

    Kesa

    Japan

    ΔE 5.7 · close

    35% of canvas

  • Fragment by Europe, 17th century

    Fragment

    Europe

    ΔE 3.6 · very close

    24% of canvas

  • Fragment by Italy, 17th century

    Fragment

    Italy

    ΔE 5.0 · close

    30% of canvas

  • Rest on the Flight into Egypt by Bartolomeo Biscaino, n.d.

    Rest on the Flight into Egypt

    Bartolomeo Biscaino

    ΔE 2.7 · very close

    18% of canvas

  • Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Mariko, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.4 · very close

    17% of canvas

  • Tobias and the Angel Raphael by Jacopo Ligozzi, c. 1605

    Tobias and the Angel Raphael

    Jacopo Ligozzi

    ΔE 5.5 · close

    31% of canvas

  • Laughter by Eduardus Jacobus, after 1698

    Laughter

    Eduardus Jacobus

    ΔE 3.7 · very close

    22% of canvas

  • Fragment by Peru, north coast, Culebra Valley, La Capilla, 1000-1476

    Fragment

    Peru, north coast, Culebra Valley, La Capilla

    ΔE 4.4 · very close

    26% of canvas

  • Fragments by Nasca, 700 CE-900 CE

    Fragments

    Nasca

    ΔE 1.3 · near-exact

    10% of canvas

  • Wooded Landscape with Cows in Foreground by Unknown, n.d.

    Wooded Landscape with Cows in Foreground

    Unknown

    ΔE 7.9 · close

    43% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.1 · close

    33% of canvas

  • Four Panels by France, c. 1711/12

    Four Panels

    France

    ΔE 4.0 · very close

    23% of canvas

  • Funerary Monument Inscribed "Poesia Muta" by Unknown, n.d.

    Funerary Monument Inscribed "Poesia Muta"

    Unknown

    ΔE 4.8 · very close

    26% of canvas

  • Fragment by Italy, 1600/50

    Fragment

    Italy

    ΔE 6.4 · close

    34% of canvas

  • Fragment (From a Noh Costume) by Japan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)

    Fragment (From a Noh Costume)

    Japan

    ΔE 6.1 · close

    32% of canvas

  • Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)" by Isoda Koryusai, 1780

    Kaoru of the Shin-Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"

    Isoda Koryusai

    ΔE 3.2 · very close

    17% of canvas

  • Seated Female Nude by Antonio Pichler, 1769

    Seated Female Nude

    Antonio Pichler

    ΔE 3.5 · very close

    19% of canvas

  • Academic Male Nude, Half-Kneeling and Seen from the Back by Unknown artist, n.d.

    Academic Male Nude, Half-Kneeling and Seen from the Back

    Unknown artist

    ΔE 1.5 · near-exact

    9% of canvas

  • Sadness by Eduardus Jacobus, after 1698

    Sadness

    Eduardus Jacobus

    ΔE 4.0 · very close

    21% of canvas

  • Band by Peru

    Band

    Peru

    ΔE 5.8 · close

    29% of canvas

  • Yoshiwara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Yoshiwara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.1 · very close

    15% of canvas

  • Fragment by Chimú, 1250-1470

    Fragment

    Chimú

    ΔE 4.2 · very close

    20% of canvas

  • Kameyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Kameyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.8 · very close

    13% of canvas

  • Fragment by Italy, 1775/1800

    Fragment

    Italy

    ΔE 3.4 · very close

    16% of canvas

  • Hatred or Jealousy by Eduardus Jacobus, after 1698

    Hatred or Jealousy

    Eduardus Jacobus

    ΔE 4.6 · very close

    22% of canvas

  • Fragment by France, 1725/50

    Fragment

    France

    ΔE 5.5 · close

    25% of canvas

  • Tiger Resting by Pierre Andrieu, c. 1845

    Tiger Resting

    Pierre Andrieu

    ΔE 4.0 · very close

    18% of canvas

  • The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)" by Okumura Masanobu, c. 1725/30

    The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)"

    Okumura Masanobu

    ΔE 5.8 · close

    26% of canvas

  • Fragment by France, 18th century

    Fragment

    France

    ΔE 8.8 · close

    42% of canvas

  • Fragment by Egypt, 4th-5th century

    Fragment

    Egypt

    ΔE 5.2 · close

    23% of canvas

  • Fragment (From an Orphrey Band) by Italy, 15th century

    Fragment (From an Orphrey Band)

    Italy

    ΔE 6.9 · close

    32% of canvas

  • Fragment by France, 17th century

    Fragment

    France

    ΔE 5.4 · close

    24% of canvas

  • Wooded Landscape with Two Women in Foreground by Jean Baptiste Pillement, n.d.

    Wooded Landscape with Two Women in Foreground

    Jean Baptiste Pillement

    ΔE 7.4 · close

    34% of canvas

  • Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.7 · very close

    15% of canvas

  • Goyu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Goyu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.6 · very close

    15% of canvas

  • Ouchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Ouchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 2.6 · very close

    10% of canvas

  • Female Saint before a Ruler by Circle of Federico Zuccaro, after 1563

    Female Saint before a Ruler

    Circle of Federico Zuccaro

    ΔE 5.5 · close

    24% of canvas

  • Figures by Charles George Lewis, n.d.

    Figures

    Charles George Lewis

    ΔE 6.6 · close

    30% of canvas

  • Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" by Katsushika Hokusai, c. 1806

    Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

    Katsushika Hokusai

    ΔE 3.2 · very close

    12% of canvas

  • Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses by France, possibly Aubusson, c. 1650

    Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovid's Metamorphoses

    France, possibly Aubusson

    ΔE 5.0 · close

    22% of canvas

What ΔE means, and what this does not measure